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Othello: LARGE PRINT

Autor William Shakespeare
en Limba Engleză Paperback – 16 mai 2016

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This book is written in font size 16. It is also available in extra large print (font size 24).

Othello, Shakespeare's classic tale of love, race and betrayal has been enjoyed for centuries, and will doubtless enthral and entertain for generations to come.

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Specificații

ISBN-13: 9781523855186
ISBN-10: 1523855185
Pagini: 128
Dimensiuni: 178 x 254 x 7 mm
Greutate: 0.24 kg
Ediția:Text mare
Editura: Firestone Books
Seria LARGE PRINT


Descriere

Descriere de la o altă ediție sau format:
From the Royal Shakespeare Company – a fresh new edition of Shakespeare's magnificent tragedy of love, jealousy and explosive racial politics

THIS EDITION INCLUDES:
• An illuminating introduction to Othello by award-winning scholar Jonathan Bate
• The play - with clear and authoritative explanatory notes on each page
• A helpful scene-by-scene analysis and key facts about the play
• An introduction to Shakespeare's career and the Elizabethan theatre
• A rich exploration of approaches to staging the play featuring photographs of key productions

The most enjoyable way to understand a Shakespeare play is to see it or participate in it. This unique edition presents a historical overview of Othello in performance, recommends film versions, takes a detailed look at specific productions and includes interviews with two leading directors and an actor– Trevor Nunn, Michael Attenborough and Antony Sher – so that we may get a sense of the extraordinary variety of interpretations that are possible, a variety that gives Shakespeare his unique capacity to be reinvented and made 'our contemporary' four centuries after his death.

Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare plays offer an accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.

Notă biografică

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

Cuprins

Preface: No Experience Necessary..................................... vi
Characters in the Play............................................... vIii
Othello ............................................................... 1
Performing Shakespeare................................................... 34
Performance Notes: Othello............................................... 53
Set and Prop List.............................................................. 62
Sample Program............................................................... 63
Additional Resources......................................................... 64

Recenzii

The new introduction for the revised edition of Othello by Ayanna Thompson is a welcome reconsideration of the 1997 original Arden3 edition . Thompson's introduction recognizes and incorporates the vast critical world of early modern race studies that has developed in the past twenty years . [It] is wide-ranging yet absolutely clear, providing a new frame for the play that students and academics alike will find useful for years to come . The superb introduction . opens new avenues of research and frames the play in ways that bring it up to date with the latest scholarship.
By far and away the best edition of this play that I've read for use in the classroom. Thompson's introduction is impeccably well judged, and hits the ground running with precisely the kinds of generic and moral concerns that are so fruitful in tutorial- and/or seminar-based discussion. The illustrations are well chosen ... and the exploration of 'moorishness' in its myriad manifestations is exemplary. The balance of annotation to text is also well done, and I have no reservations or hesitations at all about requiring students to read this enriching and vibrant edition.

Caracteristici

This is the first edition of Othello to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history, at the RSC and elsewhere
Interviews with important Shakespearean directors Trevor Nunn and Michael Attenborough and actor Anthony Sher discussing key productions at the RSC

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