Othello: Modern Library Classics (Paperback)
Autor William Shakespeare Editat de Jonathan Bate, Eric Rasmussenen Limba Engleză Paperback – 31 iul 2009
Vezi toate premiile Carte premiată
Listen Up (2008)
Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works. Each play includes an Introduction as well as an overview of Shakespeare’s theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare’s life and times; and black-and-white illustrations.
Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.
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Specificații
ISBN-13: 9780812969153
ISBN-10: 0812969154
Pagini: 256
Ilustrații: 10 ILLUSTRATIONS
Dimensiuni: 135 x 203 x 14 mm
Greutate: 0.2 kg
Editura: Modern Library
Seria Modern Library Classics (Paperback)
ISBN-10: 0812969154
Pagini: 256
Ilustrații: 10 ILLUSTRATIONS
Dimensiuni: 135 x 203 x 14 mm
Greutate: 0.2 kg
Editura: Modern Library
Seria Modern Library Classics (Paperback)
Notă biografică
William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.
Descriere
Descriere de la o altă ediție sau format:
The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- A new, modern-spelling text, collated and edited from all existing printings- Extensive introduction gives full attention to the play's bold treatment of racial themes, gender, and social relations- Detailed performance history designed to meet the needs of theatre professionals- On-page commentary and notes explain language, word-play, and staging- Appendices on music in the play and a full translation of the Italian novella from which the story derives- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- A new, modern-spelling text, collated and edited from all existing printings- Extensive introduction gives full attention to the play's bold treatment of racial themes, gender, and social relations- Detailed performance history designed to meet the needs of theatre professionals- On-page commentary and notes explain language, word-play, and staging- Appendices on music in the play and a full translation of the Italian novella from which the story derives- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Cuprins
Preface: No Experience Necessary..................................... vi
Characters in the Play............................................... vIii
Othello ............................................................... 1
Performing Shakespeare................................................... 34
Performance Notes: Othello............................................... 53
Set and Prop List.............................................................. 62
Sample Program............................................................... 63
Additional Resources......................................................... 64
Characters in the Play............................................... vIii
Othello ............................................................... 1
Performing Shakespeare................................................... 34
Performance Notes: Othello............................................... 53
Set and Prop List.............................................................. 62
Sample Program............................................................... 63
Additional Resources......................................................... 64
Recenzii
The new introduction for the revised edition of Othello by Ayanna Thompson is a welcome reconsideration of the 1997 original Arden3 edition . Thompson's introduction recognizes and incorporates the vast critical world of early modern race studies that has developed in the past twenty years . [It] is wide-ranging yet absolutely clear, providing a new frame for the play that students and academics alike will find useful for years to come . The superb introduction . opens new avenues of research and frames the play in ways that bring it up to date with the latest scholarship.
By far and away the best edition of this play that I've read for use in the classroom. Thompson's introduction is impeccably well judged, and hits the ground running with precisely the kinds of generic and moral concerns that are so fruitful in tutorial- and/or seminar-based discussion. The illustrations are well chosen ... and the exploration of 'moorishness' in its myriad manifestations is exemplary. The balance of annotation to text is also well done, and I have no reservations or hesitations at all about requiring students to read this enriching and vibrant edition.
By far and away the best edition of this play that I've read for use in the classroom. Thompson's introduction is impeccably well judged, and hits the ground running with precisely the kinds of generic and moral concerns that are so fruitful in tutorial- and/or seminar-based discussion. The illustrations are well chosen ... and the exploration of 'moorishness' in its myriad manifestations is exemplary. The balance of annotation to text is also well done, and I have no reservations or hesitations at all about requiring students to read this enriching and vibrant edition.
Caracteristici
Ayanna Thompson is a leading scholar in the field of Shakespeare, gender and race. She is the first female to edit the play in any of the major series of play editions
Premii
- Listen Up Editor's Choice, 2008