Paris in the Cinema: Beyond the Flâneur
Editat de Alastair Phillips, Ginette Vincendeauen Limba Engleză Hardback – 29 noi 2017
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Specificații
ISBN-13: 9781844578184
ISBN-10: 1844578186
Pagini: 286
Ilustrații: 50
Dimensiuni: 155 x 235 mm
Greutate: 0.64 kg
Ediția:1st ed. 2018
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
ISBN-10: 1844578186
Pagini: 286
Ilustrații: 50
Dimensiuni: 155 x 235 mm
Greutate: 0.64 kg
Ediția:1st ed. 2018
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom
Caracteristici
Examines a wide selection of topics relating to the architectural and social fabric of Paris, the character of its inhabitants, and the city's social and political history
Notă biografică
Alastair Phillips is Associate Professor (Reader) in Film Studies at the University of Warwick. His books on French cinema include City of Darkness, City of Light: Émigré Filmmakers in Paris 1929-1939 (2004), Rififi (2009), Journeys of Desire, European Actors in Hollywood (co-edited with Ginette Vincendeau, 2006) and A Companion to Jean Renoir (co-edited with Ginette Vincendeau, 2013). He is an editor of Screen and currently working on a book about the films of Jacques Becker. Ginette Vincendeau is Professor in Film Studies at King's College London and a regular contributor to Sight and Sound. She has published widely on French cinema and was made Chevalier de l'Ordre des Arts et des Lettres for services to French Culture. Among her books are Stars and Stardom in French Cinema (2000), Jean-Pierre Melville, An American in Paris (2003), La Haine (2005) and Brigitte Bardot (2013). She co-edited Journeys of Desire: European Actors in Hollywood (2006) and A Companion to Jean Renoir (2013) with Alastair Phillips and The French New Wave: Critical Landmarks (2009) with Peter Graham. Her current research is on the filmmaker Claude Autant-Lara.
Cuprins
Acknowledgements.- Beyond the flâneur: an introduction; Alastair Phillips and Ginette Vincendeau.- PART 1: LOCATIONS.- The Eiffel Tower: a Parisian film star; Nicoleta Bazgan.- Working-class Paris and post-war noir: Les Portes de la nuit; Thomas Pillard.- The caves of Saint-Germain-des-Prés in 1950s French cinema; Sébastien Layerle.- Le Signe du lion: Paris in the summer of 1959; Michel Marie.- Truffaut's apartments; Hilary Radner and Alistair Fox.- The New Wave hotel; Roland-François Lack.- The vanishing of Les Halles; Catherine E. Clark.- The Parisian banlieue on screen: so close, yet so far; Ginette Vincendeau.- PART 2: CHARACTERS.- Maigret from across the Channel; Charlotte Brunsdon.- Parisian cinephiles and the Mac-Mahon; Leila Wimmer.- Beyond the flâneuse: the uniqueness of Cléo de 5 à 7; Jennifer Wallace.- Amateur filmmakers' Paris: home movies at the Forum des images; Roger Odin.- The concierge in contemporary French Cinema; Raphaëlle Moine.- Parisian lovers in the contemporary romcom; Mary Harrod.- The enduring glamour of the Parisienne; Stephen Gundle.- PART 3: HISTORY.- Charles Dickens's Two Cities; Colin Jones.- From Meryon to Ulmer's Bluebeard: a Baudelairian iconography; Jean-Loup Bourget.- Site of infamy: the Vel' d'Hiv in French cinema; Sandy Flitterman-Lewis.- 'Unremarkable Paris': Jacques Becker's Urban Everyday; Alastair Phillips.- Television and the renewal of Paris, from official discourse to social criticism; Hélène Jannière.- Parisian building sites (1945-1975): from modernity to abstraction; Marie Gaimard and Marguerite Vappereau.- The mirror of a city: the 'Parisian Collection' of the Forum des images; Jean-Yves de Lépinay.- INTERVIEW.- Filming Paris: an interview with Jean-Pierre Jeunet.- Contributors.- Select bibliography.
Textul de pe ultima copertă
Paris
is
the
most
iconic
and
frequently
painted,
photographed
and
filmed
city
in
the
world. Paris
in
the
Cinema:
Beyond
the
Flâneur offers
a
new
approach
to
the
representation
of
Paris
on
screen.
Bringing
together
a
wide
range
of
renowned
French
and
Anglophone
specialists
in
film,
history,
architecture
and
literature,
Alastair
Phillips
and
Ginette
Vincendeau
introduce,
challenge
and
extend
ideas
about
the
city
as
the
locus
of
screen
modernity.
Through a range of concrete and historically-specific case studies, this vibrant collection:
• provides innovative angles on how films deploy the French capital beyond its function as glamorous background
• explores how filmmakers both construct and recycle its status as an ‘iconic capital’
• considers the specific identities of Parisians on screen
• demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.
Fresh and engaging, this fascinating resource will appeal to all students, scholars and lovers of French cinema and the capital city that comprises its major home.
Through a range of concrete and historically-specific case studies, this vibrant collection:
• provides innovative angles on how films deploy the French capital beyond its function as glamorous background
• explores how filmmakers both construct and recycle its status as an ‘iconic capital’
• considers the specific identities of Parisians on screen
• demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory.
Fresh and engaging, this fascinating resource will appeal to all students, scholars and lovers of French cinema and the capital city that comprises its major home.