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Performances of Authorial Presence and Absence: The Author Dies Hard de Silvija Jestrovic

Performances of Authorial Presence and Absence: The Author Dies Hard: Adaptation in Theatre and Performance

Autor Silvija Jestrovic
en Limba Engleză Hardback – 23 iun 2020
This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?
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Specificații

ISBN-13: 9783030432898
ISBN-10: 3030432890
Pagini: 258
Ilustrații: IX, 209 p. 5 illus., 4 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.41 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Adaptation in Theatre and Performance

Locul publicării:Cham, Switzerland

Cuprins

1. Chapter 1: The Paradox of the Author’s Death: an Introduction.- 2. Chapter 2: Author as a Heteroglossic Figure.- 3. Chapter 3: Embodiment and Textualization.-  4. Chapter 4: Performing the Self.- 5. Chapter 5: Resurrection as Adaptation: (Re)Makes, Deconstructions and the Gun.- 6. Chapter 6: The Author is Present.- 7. Chapter 7: The Artist is (Meaningfully) Absent.- 8. Chapter 8: Coda: In Other Deaths.- 
 

Notă biografică

Silvija Jestrovic teaches in Theatre and Performance Studies at the University of Warwick, UK. She is the author of Theatre of Estrangement: Theory, Practice, Ideology (2006) and Performance Space Utopia: Cities of War, Cities of Exile (2013).


Textul de pe ultima copertă

This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?

Caracteristici

Enters into a dialogue with existing scholarship in critical theory, theatre and performance studies, cultural studies and philosophy to offer its own original conceptual paradigms Offers conceptual departures from key texts written by authors including Barthes, Foucault, Derrida, and the Russian Formalists Develops the concept of inter-theatricality as a performative dialogue