Cantitate/Preț
Produs

Performing China on the London Stage: Chinese Opera and Global Power, 1759–2008

Autor Ashley Thorpe
en Limba Engleză Hardback – 6 oct 2016
This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period.  A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes  – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 62471 lei  43-57 zile
  Palgrave Macmillan UK – 27 iun 2018 62471 lei  43-57 zile
Hardback (1) 62952 lei  43-57 zile
  Palgrave Macmillan UK – 6 oct 2016 62952 lei  43-57 zile

Preț: 62952 lei

Preț vechi: 74061 lei
-15% Nou

Puncte Express: 944

Preț estimativ în valută:
12048 12514$ 10007£

Carte tipărită la comandă

Livrare economică 03-17 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781137597854
ISBN-10: 1137597852
Pagini: 292
Ilustrații: XVIII, 263 p. 9 illus., 4 illus. in color.
Dimensiuni: 148 x 210 x 21 mm
Greutate: 0.48 kg
Ediția:1st ed. 2016
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

Introduction.- Chapter 1. Chinese drama in the European Imagination before 1736.- Chapter 2. ‘Confucius’ morals to Britannia’s ears'.- Chapter 3. From page to stage.- Chapter 4. Fashion, chinoiserie and modernity in The Circle of Chalk, 1929.- Chapter 5. Seeking subalterneity in S.I. Hsiung’s Lady Precious Stream, 1934.- Chapter 6. 'A traditional play in the traditional manner'.- Chapter 7. Chinese opera in the diaspora from 1949.- Chapter 8. Opening the stage door.- Chapter 9. Postmodern politics.- Conclusion.

Recenzii

“Thorpe’s study offers a wonderful overview of the ways in which Chinese theater has been imagined, translated, adapted, and imported onto the London Stage for four hundred years. … Much more useful and interesting is the way this large overarching thesis allows for a series of fascinating case studies of Chinese theater imagined, imported, translated, and adapted for the London audience.” (Paize Keulemans, CHINOPERL, Vol. 37 (2), 2018)

Notă biografică

Ashley Thorpe is Senior Lecturer in the Department of Drama & Theatre at Royal Holloway, University of London, UK. His first book, The Role of the Clown (‘Chou’) in Traditional Chinese Drama was published in 2007, and he has contributed to numerous journals, including Contemporary Theatre Review, Theatre Research International and Asian Theatre Journal.

Textul de pe ultima copertă

This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period.  A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes  – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.

Caracteristici

Offers a unique and fascinating focus on a rarely investigated subject Explores traditional as well as modern conceptions of Chinese opera on stage Proposes how Chinese theatre in London has been used as a foil for better understanding British theatrical practice