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Pixar with Lacan: The Hysteric's Guide to Animation de Lilian Munk Rösing

Pixar with Lacan: The Hysteric's Guide to Animation

Autor Lilian Munk Rösing
en Limba Engleză Paperback – 28 iun 2017
The films from Pixar Animation Studios belong to the most popular family films today. From Monsters Inc to Toy Story and Wall-E, the animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications?Pixar with Lacan has the double aim of analyzing the Pixar films and exemplifying important psychoanalytic concepts (the voice, the gaze, partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/ the real/ the symbolic, desire and drive, the four discourses, masculine/feminine), examining the ideological implications of the images of human existence given in the films.
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Specificații

ISBN-13: 9781501320170
ISBN-10: 1501320173
Pagini: 192
Ilustrații: 15 bw illus
Dimensiuni: 152 x 229 x 16 mm
Greutate: 0.26 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Reflects on the images of human existence given in the most popular animated family films today

Notă biografică

Lilian Munk Rösing is Associate Professor in the Department of Arts and Cultural Studies at University of Copenhagen, Denmark, and a literary critic. In the fields of aesthetics and psychoanalytic cultural criticism, Rösing has published (in Danish) Reading the Child, The Catechism of Genderand The Return of Authority.

Cuprins

1. Introduction2. Beyond the Name of the Father: Toy Story 13. Big O is Watching You: Toy Story 2 4. Sadism in the Kindergarten: Toy Story 35. Entertainment as Warfare: A Bug's Life 6. There is Nothing More Toxic than a Human Child: Monsters, Inc. 7. Just Keep Swimming: Finding Nemo8. More than Super: The Incredibles9. The Mother Road: Cars10. Man is a Puppet, Soul is a Rat: Ratatouille11. Humanity Stuck in Vacation Hell: Wall-E12. His Master's Voice: Up13. ConclusionEpilogue: Animation and Capitalism BibliographyIndex

Recenzii

I found the book imaginative, engaging and unusually perceptive about the linkage of Pixar's animation to what drives us psychologically, economically and ideologically. Munk Rosing takes on all of Pixar's films, from Toy Story to Up!, demonstrating her depth of knowledge of the techniques and innovations in animation that she then analyzes beautifully by the light of psychoanalytic theory after Freud and Lacan. This is a tour de force, a must-read for all students of contemporary culture.
Everyone has always felt that Pixar films revolutionized animation, and this revolution seemed due simply to technological and narrative inventiveness. With the appearance of Lilian Monk Rösing's Pixar with Lacan, we now know the true reason for the Pixar revolution. The greatness of Pixar films stems directly from their profound engagement with Lacanian theory. The animation that Pixar creates is, as Rösing shows, the animation of the subject itself. Through a series of groundbreaking readings of all the major Pixar films, Rösing provides us with the definitive account of the reason for the Pixar revolution. If we watch Pixar films closely enough, we will have in ready to hand all the central concepts of Lacan theory, and Rösing shows us this is a breathtaking fashion.

Descriere

The films from Pixar Animation Studios belong to the most popular family films today. From Monsters Inc to Toy Story and Wall-E, the animated characters take on human qualities that demand more than just cultural analysis. What animates the human subject according to Pixar? What are the ideological implications?Pixar with Lacan has the double aim of analyzing the Pixar films and exemplifying important psychoanalytic concepts (the voice, the gaze, partial object, the Other, the object a, the primal father, the name-of-the-father, symbolic castration, the imaginary/ the real/ the symbolic, desire and drive, the four discourses, masculine/feminine), examining the ideological implications of the images of human existence given in the films.