Cantitate/Preț
Produs

Placing Prints: New Developments in the Study of Print, 1400-1800: Brill’s Studies on Art, Art History, and Intellectual History, cartea 74

Editat de Bryony Bartlett-Rawlings, Naomi Lebens
en Limba Engleză Hardback – 6 ian 2025
This volume presents a broad spectrum of essays exemplifying current advances in print scholarship. It aims to focus attention on the medium of print. While the essays reflect the varied production and role of print, central themes explored here include the making of prints and their perceived ‘place’ within a printmaker’s practice or the circulation, reception and use of prints in the hands of diverse publishers and audiences. The volume highlights the importance of the print medium as an art historical topic.
Citește tot Restrânge

Din seria Brill’s Studies on Art, Art History, and Intellectual History

Preț: 67851 lei

Preț vechi: 82745 lei
-18% Nou

Puncte Express: 1018

Preț estimativ în valută:
12995 13388$ 10886£

Carte disponibilă

Livrare economică 31 ianuarie-11 februarie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9789004265110
ISBN-10: 9004265112
Pagini: 336
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History


Notă biografică

Bryony Bartlett-Rawlings, Ph.D. (2019), Courtauld Institute of Art, is an independent art historian and lecturer. She has worked in the V&A andCourtauld Gallery collections and lectured on the history of prints. She has published on print production and reception during the Renaissance and Early Modern period.
Naomi Lebens, Ph.D (2016) is the Head of Cultural Services at Royal Holloway, University of London, with senior curatorial responsibility for the art collection, archive and temporary exhibition programme. She has worked on themes of playfulness, education and invention in early modern print.

Cuprins

List of Illustrations
Abbreviations
Notes on Contributors

Introduction
Bryony Bartlett-Rawlings and Naomi Lebens

Part 1: The Art of Print: Approaches and Attitudes


1 Mark(et)ing Expertise: the Goldsmith-engraver in the Low Countries and the Use of House Marks
Oliver Kik

2 Theory of Printmaking in the Early Modern Age
Barbara Stoltz

3 Poussin and the Theory of Hatching
Ben Thomas

4 Paul Sandby and Reproductive Printmaking
Ann V. Gunn

5 Not for the Feeble of Mind! Color-printed Illustrations in European Medical Literature, 1500[–]1850
Ad Stijnman

Part 2: The Reception of Print: Circulation and Use


6 Multiplied Madonnas—Strategies of Commercializing Raphael in Print
Anne Bloemacher

7 Copying Motifs and Reworking Printing Plates as Part of the French Royal Propaganda in the First Half of the 17th Century
Małgorzata Biłozór-Salwa

8 Displaying Gift-Giving: Thesis Prints in the Spanish Netherlands
Gwendoline de Mûelenaere

9 Jan Ponętowski’s Print Albums in the Jagiellonian Library in Cracow: an Early Print Collection in Moravia and the Kingdom of Poland
Magdalena Herman

10 A “Great and Valuable Collection”: Sir Joshua Reynolds (1723[–]1792) and His Prints
Donato Esposito

Bibliography
Index