Placing Prints: New Developments in the Study of Print, 1400-1800: Brill’s Studies on Art, Art History, and Intellectual History, cartea 74
Editat de Bryony Bartlett-Rawlings, Naomi Lebensen Limba Engleză Hardback – 6 ian 2025
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Specificații
ISBN-13: 9789004265110
ISBN-10: 9004265112
Pagini: 336
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
ISBN-10: 9004265112
Pagini: 336
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
Notă biografică
Bryony Bartlett-Rawlings, Ph.D. (2019), Courtauld Institute of Art, is an independent art historian and lecturer. She has worked in the V&A andCourtauld Gallery collections and lectured on the history of prints. She has published on print production and reception during the Renaissance and Early Modern period.
Naomi Lebens, Ph.D (2016) is the Head of Cultural Services at Royal Holloway, University of London, with senior curatorial responsibility for the art collection, archive and temporary exhibition programme. She has worked on themes of playfulness, education and invention in early modern print.
Naomi Lebens, Ph.D (2016) is the Head of Cultural Services at Royal Holloway, University of London, with senior curatorial responsibility for the art collection, archive and temporary exhibition programme. She has worked on themes of playfulness, education and invention in early modern print.
Cuprins
List of Illustrations
Abbreviations
Notes on Contributors
Introduction
Bryony Bartlett-Rawlings and Naomi Lebens
1 Mark(et)ing Expertise: the Goldsmith-engraver in the Low Countries and the Use of House Marks
Oliver Kik
2 Theory of Printmaking in the Early Modern Age
Barbara Stoltz
3 Poussin and the Theory of Hatching
Ben Thomas
4 Paul Sandby and Reproductive Printmaking
Ann V. Gunn
5 Not for the Feeble of Mind! Color-printed Illustrations in European Medical Literature, 1500[–]1850
Ad Stijnman
6 Multiplied Madonnas—Strategies of Commercializing Raphael in Print
Anne Bloemacher
7 Copying Motifs and Reworking Printing Plates as Part of the French Royal Propaganda in the First Half of the 17th Century
Małgorzata Biłozór-Salwa
8 Displaying Gift-Giving: Thesis Prints in the Spanish Netherlands
Gwendoline de Mûelenaere
9 Jan Ponętowski’s Print Albums in the Jagiellonian Library in Cracow: an Early Print Collection in Moravia and the Kingdom of Poland
Magdalena Herman
10 A “Great and Valuable Collection”: Sir Joshua Reynolds (1723[–]1792) and His Prints
Donato Esposito
Bibliography
Index
Abbreviations
Notes on Contributors
Introduction
Bryony Bartlett-Rawlings and Naomi Lebens
Part 1: The Art of Print: Approaches and Attitudes
1 Mark(et)ing Expertise: the Goldsmith-engraver in the Low Countries and the Use of House Marks
Oliver Kik
2 Theory of Printmaking in the Early Modern Age
Barbara Stoltz
3 Poussin and the Theory of Hatching
Ben Thomas
4 Paul Sandby and Reproductive Printmaking
Ann V. Gunn
5 Not for the Feeble of Mind! Color-printed Illustrations in European Medical Literature, 1500[–]1850
Ad Stijnman
Part 2: The Reception of Print: Circulation and Use
6 Multiplied Madonnas—Strategies of Commercializing Raphael in Print
Anne Bloemacher
7 Copying Motifs and Reworking Printing Plates as Part of the French Royal Propaganda in the First Half of the 17th Century
Małgorzata Biłozór-Salwa
8 Displaying Gift-Giving: Thesis Prints in the Spanish Netherlands
Gwendoline de Mûelenaere
9 Jan Ponętowski’s Print Albums in the Jagiellonian Library in Cracow: an Early Print Collection in Moravia and the Kingdom of Poland
Magdalena Herman
10 A “Great and Valuable Collection”: Sir Joshua Reynolds (1723[–]1792) and His Prints
Donato Esposito
Bibliography
Index