Play Mas: Modern Plays
Autor Mustapha Maturaen Limba Engleză Paperback – 10 mar 2015
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 50.25 lei 3-5 săpt. | +42.22 lei 6-12 zile |
Bloomsbury Publishing – 22 sep 2021 | 50.25 lei 3-5 săpt. | +42.22 lei 6-12 zile |
Bloomsbury Publishing – 10 mar 2015 | 78.44 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781474251471
ISBN-10: 1474251471
Pagini: 96
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.1 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1474251471
Pagini: 96
Dimensiuni: 129 x 198 x 5 mm
Greutate: 0.1 kg
Ediția:Revised
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Written in Trinidadian dialect, this would be an ideal performance text for actors seeking to demonstrate their proficiency with Caribbean accent and delivery
Notă biografică
Mustapha Matura was born in Trinidad and came to England in 1961. He co-founded the Black Theatre Co-operative with the director Charlie Hanson in 1978 under which he wrote the highly successful No Problem! His plays include: Rum an' Coca Cola (Royal Court Theatre and off-Broadway, 1976); Another Tuesday and More, More (the Factory, London, 1978); A Dying Business (Riverside Studios, 1980); One Rule (Riverside Studios, 1981); The Playboy of the West Indies (Oxford Playhouse, 1984, and produced for BBC television, 1985); Trinidad Sisters (Tricycle Theatre, 1988) and The Coup (Royal National Theatre, 1991). In 1991, Mustapha received the Trinidad and Tobago Government Scarlet Ibis Award for achievement.
Recenzii
Mustapha Matura's sharp-edged satire. . . . Matura's play not only offers a potted guide to Trinidadian ethnicity, economics and politics, but also a potent metaphor for the post-colonial process. It is also very funny. . . . the real power of Matura's play lies in its reminder, under all that surface exuberance, that the movement towards independence carried its own element of fancy-dress masquerade.
a blackly comical play . . . a story of deceptive appearances . . . Play Mas misdirects us nicely: we've seen a thousand tales of the oppressed becoming the oppressor, yet this one still surprises.
a deeply and darkly funny exploration of Trinidad before and after the Caribbean island's independence from Britain in 1962. It sweeps you up and leaves you breathless.
a blackly comical play . . . a story of deceptive appearances . . . Play Mas misdirects us nicely: we've seen a thousand tales of the oppressed becoming the oppressor, yet this one still surprises.
a deeply and darkly funny exploration of Trinidad before and after the Caribbean island's independence from Britain in 1962. It sweeps you up and leaves you breathless.