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Popular Music and Automobiles de Dr. Mark Duffett

Popular Music and Automobiles

Editat de Dr. Mark Duffett, Dr. Beate Peter
en Limba Engleză Hardback – 8 ian 2020
Particularly since the 1950s, cars and popular music have been constantly associated. As complementary goods and intertwined technologies, their relationship has become part of a widely shared experience-one that connects individuals and society, private worlds and public spheres. Popular Music and Automobiles aims to unpack that relationship in more detail. It explores the ways in which cars and car journeys have shaped society, as well as how we have shaped them. Including both broad synergies and specific case studies, Popular Music and Automobiles explores how attention to an ongoing relationship can reveal insights about the assertion and negotiation of identity. Using methods of enquiry that are as diverse as the topics they tackle, its contributors closely consider specific genders, genres, places and texts.
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Specificații

ISBN-13: 9781501352300
ISBN-10: 150135230X
Pagini: 216
Ilustrații: 14 photos
Dimensiuni: 152 x 229 mm
Greutate: 0.41 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Uses a variety of methods (case studies, interview data, archival work, and music analysis) to offer insights into the relationship between automobiles and music

Notă biografică

Mark Duffett is a Gales-listed academic author, known for two decades of research in popular music studies and fan studies. He is writer of Understanding Fandom (Bloomsbury, 2013) and Counting Down Elvis (2018), editor of Popular Music Fandom (2015), Fan Identities and Practices in Context (2018), and editor or co-editor of several special edition journals for Popular Music and Society, Rock Music Studies, and the IASPM journal. Beate Peter is Senior Lecturer in German at Manchester Metropolitan University, UK. As a member of the Research Centre for Applied Social Sciences at MMU, she is currently leading a team of researchers that investigate the role that music (acid house) played in shaping the social, political, and cultural landscape in Britain. She is also a convener of Manchester's Music and Sonic Studies research network. Her research interests focus on music and identity, in particular the role of affect and musical memories.

Cuprins

Notes on Contributors AcknowledgementsIntroductionMark Duffett, University of Chester, United Kingdom1. Rock 'n' Roll: Cars, Convergence, and CultureTim Wall and Nick Webber (Birmingham City University, UK)2. 'She's My Little Deuce Coupe': Freudian Transformations in the Car Songs of The Beach BoysGeorgina Gregory (University of Central Lancashire, UK)3. Music Is the Vehicle: Queen's "Don't Stop Me Now," Top Gear, and the Driving AnthemRoddy Hawkins (University of Manchester, UK)4. The Passenger? Gender, Cars, Mobility, and Dance MusicKatie Milestone (Manchester Metropolitan University, UK)5. Rave Journeys: Intimacy, Liminality, and the Changing Notion of HomeBeate Peter (Manchester Metropolitan University, UK)6. Driving on the A470: Cars and Roads in Welsh-language Popular MusicCraig Owen Jones (Bangor University and Coleg Cymraeg, Cenedlaethol, Wales)7. 'Ich will Spaß, ich geb Gas': German Pop between Fun and SubversionBarbara Hornberger (University of Hildesheim, Germany) Translated from German by Kerstin Bueschges8. Las Chivas: Fiesta in MotionSantiago Niño Morales (Distrital 'Francisco José de Caldas', Bogotá, Colombia)9. Listening to Music in Cars while Black: Popular Music, Automobility, and the Murder of Jordan DavisAmanda Nell Edgar (University of Memphis, USA)10. Crash! Music Press Coverage of Performers in Automobile AccidentsMark Duffett (University of Chester, UK)NotesReferencesIndex

Recenzii

Popular Music and Automobiles is an outstanding scholarly examination of motorvatin' music. Chuck Berry would approve of this literary lionizing of car tunes ... this Bloomsbury Academic publication is a gem. It elevates car song analysis to new heights. It presents informed and insightful international perspectives about automotive technology. Best of all, the essays are lucid and logical, fun to read, and valuable sources of reflection.
Popular Music and Automobiles is a fresh take on a profoundly powerful socio-musicological combination. Not only do chapters cover canonical US examples (e.g. The Beach Boys) from new perspectives, but there are case studies from Wales, England, Germany, and Colombia. Authors cover both the more celebratory aspects of pop and cars as well as more difficult topics such as press coverage of popular musicians in car crashes and the role of music in White supremacist violence against those who are so-called 'driving while black.'
Mark Duffett and Beate Peter's Popular Music and Automobiles not only helps remedy the paucity of writings on this subject, but does so in an entertaining and informative fashion. This book sheds new light on two postwar pop culture passions and their relationship to each other.
Literally and figuratively, cars and music move us; they transport us physically and emotionally. The connection between the two, now more than a century old, is the subject of this fascinating, provocative collection. Ranging across decades, genres, and continents, Popular Music and Automobiles is a powerful vehicle for exploring the complexities of culture and identity.