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Posh de Laura Wade

Posh: Modern Plays

Autor Laura Wade
en Limba Engleză Paperback – 6 oct 2021
"I've got a new law for you mate, it's called survival of the fittest, it's called fuck you we're the Riot Club."In an oak-panelled room in Oxford, ten young bloods with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule. Members of an elite student dining society, the boys are bunkering down for a wild night of debauchery, decadence and bloody good wine. But this isn't the last huzzah: they're planning a takeover. Welcome to the Riot Club.
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Specificații

ISBN-13: 9781350275485
ISBN-10: 1350275484
Pagini: 192
Dimensiuni: 130 x 210 x 16 mm
Greutate: 0.16 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

A witty social satire exploring class and masculinity at a fictionalised version of Oxford's all-male Bullingdon Club

Notă biografică

Laura Wade is a graduate of the Royal Court Young Writers Programme. Her first play for the Royal Court, Breathing Corpses played in the Jerwood Theatre Upstairs in 2005 and won her the Critics' Circle Theatre Award for Most Promising Playwright, the Pearson Playwrights Best Play Award, the George Devine Award and an Olivier Award Nomination for Outstanding Achievement in an Affiliate Theatre. She also worked on a collaborative project, Catch, for the Royal Court in 2006, with a group of female contemporaries. Her other plays include Other Hands, and Colder Than Here at Soho Theatre.

Cuprins

IntroductionChronologyHistorical, social and cultural contextsPlay as PerformanceProduction History and Critical ReceptionFurther ExplorationPoshNotes

Recenzii

While Wade's play reminds us that many of the upper-class continue to enjoy the sound of broken glass, its success lies in harpooning the way power operates through a succession of nods and winks in our supposedly open, egalitarian society.
What an outstanding talent ... Her feel for character is exceptionally keen and she also writes excellent gags.
Nearly a decade on from its blistering Royal Court premiere and subsequent West End transfer, Laura Wade's incisive dissection of the entitled upper classes in their Oxford University playground feels as relevant and disquieting as ever ... As a piece of political theatre, the message is blunt to the point of brutal. These people - with their expectation to rule; their conviction that money can buy them out of any problem, and their inherent, blind faith in their own superiority - are pretty despicable characters and we trust them with the future of the nation at our own peril ... Perhaps it should even be compulsory viewing for members of the government.