Postcolonial Memoir in the Middle East: Rethinking the Liminal in Mashriqi Writing: Routledge Research in Postcolonial Literatures
Autor Norbert Bugejaen Limba Engleză Paperback – 31 mai 2017
Incisive readings of life-writings by Mourid Barghouti, Amin Maalouf, Orhan Pamuk, Amos Oz, and Wadad Makdisi Cortas demonstrate the double-edged representational chasm that opens up when present acts of memorializing are brought to bear upon the elusive histories of the early-twentieth-century Mashriq. Sifting through the wide-ranging theoretical literature on liminality and challenging received views of the concept, this book proposes a nuanced, materialist, and original rethinking of the liminal as a more vigilant outlook onto the political, literary and historical predicaments of the contemporary Middle East.
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Paperback (1) | 297.82 lei 6-8 săpt. | |
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Specificații
ISBN-13: 9781138115897
ISBN-10: 1138115894
Pagini: 256
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Postcolonial Literatures
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138115894
Pagini: 256
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Research in Postcolonial Literatures
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Introduction: Rethinking the Liminal 1. Exilic Memory and the Spaces of Occupation in Mourid Barghouti’s I Saw Ramallah 2. ‘A Dark Cellar Under His Feet’: Negotiating the Diasporic-Israeli Threshold in Amos Oz’s A Tale of Love and Darkness 3. Hüzün-Dialectics: The Agency of the Past in Orhan Pamuk’s Istanbul – Memories of a City 4. Through the Archive, towards Self-Knowledge: Amin Maalouf’s journey in Origins – A Memoir 5. Wadad Makdisi Cortas’ A World I Loved: Some Conclusions, More Beginnings
Descriere
This book reconsiders liminality in postcolonial thought by visiting Mashriqi writers of memoir, offering a unique intervention in the understanding of threshold states within postcolonial literary studies. Challenging received perceptions of the concept, Bugeja’s incisive readings situate liminal space today as a fraught form of consciousness that mediates between conditions of historical contingency and the volatile memorializing present.