Quiz Show and Bullet Catch: Modern Plays
Autor Rob Drummonden Limba Engleză Paperback – 28 mar 2013
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Specificații
ISBN-13: 9781472534989
ISBN-10: 1472534980
Pagini: 152
Dimensiuni: 129 x 198 x 13 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472534980
Pagini: 152
Dimensiuni: 129 x 198 x 13 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
Rob Drummond is one of Scotland's most exciting young playwrights, having enjoyed great critical and commercial success with Bullet Catch in summer 2012. He appeared in the List's selection of best upcoming Scottish theatre talent in November 2012.
Notă biografică
Rob Drummond is a writer, performer and director from Glasgow. His theatre credits include Sixteen, Bullet Catch, Hunter, Post Show, Allotment, Mr Write, Rob Drummond: Wrestling and Top Table. In 2011 Rob wrote, performed and directed his critically acclaimed show Rob Drummond: Wrestling for which he trained as a professional wrestler. His dark comedy Top Table appeared at Oran Mor last year and his modern retelling of the Passion premiered in George Square in October.
Recenzii
A startlingly deep reflection on the mysterious relationship between performance and despair, the intense life of the stage and the sudden blackness of death.
Wonderfully entertaining but emotionally devastating . . . Remarkable, multi-layered and utterly gripping.
It delicately sits between truth and fiction, playing with the intangibility of magic and human connection.
Gripping psychothriller about truth and perspective from rising star Rob Drummond ... [a] breakneck, ambitious story ... a hugely poignant statement about the very nature of secular truth and how we essentially are no more than what we tell ourselves to believe.
[A] strange and stirring piece of 21st-century theatre ... it is thrilling? to see a first full-length play which works so relentlessly ?and brilliantly on the consciousness of the audience, taking us on a journey - into the immediate past of our society and its possible futures - from which we cannot return unchanged.
Very funny ... what Quiz Show does brilliantly ... is give theatrical form to the nightmare of a disturbed mind, one riven by false and repressed memories ... It leaves us uneasy and haunted.
Powerful and spellbinding ... Fun as the veneer is, behind the False's quiz show format is a timely, brave and important play that delves right to the heart of a contemporary tale of celebrity culture and mass denial.
Drummond's dangerously incisive piece plays with pop culture in a way that ultimately damns it. . . When the applause comes at the end of Walsh's final, pulverising soliloquy, it damns us all.
Wonderfully entertaining but emotionally devastating . . . Remarkable, multi-layered and utterly gripping.
It delicately sits between truth and fiction, playing with the intangibility of magic and human connection.
Gripping psychothriller about truth and perspective from rising star Rob Drummond ... [a] breakneck, ambitious story ... a hugely poignant statement about the very nature of secular truth and how we essentially are no more than what we tell ourselves to believe.
[A] strange and stirring piece of 21st-century theatre ... it is thrilling? to see a first full-length play which works so relentlessly ?and brilliantly on the consciousness of the audience, taking us on a journey - into the immediate past of our society and its possible futures - from which we cannot return unchanged.
Very funny ... what Quiz Show does brilliantly ... is give theatrical form to the nightmare of a disturbed mind, one riven by false and repressed memories ... It leaves us uneasy and haunted.
Powerful and spellbinding ... Fun as the veneer is, behind the False's quiz show format is a timely, brave and important play that delves right to the heart of a contemporary tale of celebrity culture and mass denial.
Drummond's dangerously incisive piece plays with pop culture in a way that ultimately damns it. . . When the applause comes at the end of Walsh's final, pulverising soliloquy, it damns us all.