Race: Modern Plays
Autor David Mameten Limba Engleză Paperback – 6 iun 2013
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 77.74 lei 6-8 săpt. | |
Bloomsbury Publishing – 6 iun 2013 | 77.74 lei 6-8 săpt. | |
Samuel French, Inc. – 31 iul 2010 | 89.51 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781472528636
ISBN-10: 1472528638
Pagini: 80
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1472528638
Pagini: 80
Dimensiuni: 129 x 198 x 15 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
This is a recent play from the acclaimed, Pulitzer Prize-winning playwright David Mamet.
Notă biografică
David Mamet (b. 1947) is an award-winning American playwright and screenwriter. His first and many subsequent plays were first performed by the St Nicholas Theatre company, Chicago, of which he was a founding member and Artistic Director. In 1978 he became Associate Artistic Director of the Goodman Theatre, Chicago, where American Buffalo had been first staged in 1975, subsequently winning an Obie Award and opening on Broadway in 1977 and at the National Theatre, London, in 1978. His greatest hits, Glengarry Glen Ross and Oleanna, followed in 1983 and 1993 respectively. Other works by Mamet published by Methuen Drama include David Mamet Collected Plays 1-4; American Buffalo; Sexual Perversity in Chicago; Duck Variations; A Life in the Theatre; Edmond; The Cryptogram; Reunion; The Woods; The Water Engine; Lakeboat; The Disappearance of the Jews; Speed-the-Plow; Three Uses of the Knife, and Dr. Faustus.
Recenzii
Scalpel-edged intelligence
Intellectually salacious . . . Gripping . . . rapid-fire Mametian style . . . Deep in its gut, Mamet's new play argues, everything in America - and this play throws sex, rape, the law, employment and relationships into its 90 minutes of stage wrangling - is still about race.
[Mamet's] exhilarating epigrammatic style broadcasts the will to prevail.
Mamet lets us see the way sensitivity to the most incendiary topic in our history, as Jack describes race, can breed better liars.
Race is wholly watchable. Gripping, actually. Don't believe anyone who argues otherwise.
It's black against white, man versus woman in a typically blunt David Mamet straight-talker about the law and discrimination ... David Mamet doesn't mince his words in Race ... an engaging brew of wit, rage, and shifting sympathies
During a typically provocative 90 minutes Mamet probes the self-conscious, slippery, hostile and patronising ways in which we so often discuss issues connected to race and racial politics.
An offbeat courtroom drama ... This twin-investigation structure is ingenious. And both inquiries are niftily calibrated to pivot on the issues of skin colour, sex and exploitation ... Mamet's taut, fraught, nervy dialogue bristles with shocking and hilarious truths about the legal process.
Intellectually salacious . . . Gripping . . . rapid-fire Mametian style . . . Deep in its gut, Mamet's new play argues, everything in America - and this play throws sex, rape, the law, employment and relationships into its 90 minutes of stage wrangling - is still about race.
[Mamet's] exhilarating epigrammatic style broadcasts the will to prevail.
Mamet lets us see the way sensitivity to the most incendiary topic in our history, as Jack describes race, can breed better liars.
Race is wholly watchable. Gripping, actually. Don't believe anyone who argues otherwise.
It's black against white, man versus woman in a typically blunt David Mamet straight-talker about the law and discrimination ... David Mamet doesn't mince his words in Race ... an engaging brew of wit, rage, and shifting sympathies
During a typically provocative 90 minutes Mamet probes the self-conscious, slippery, hostile and patronising ways in which we so often discuss issues connected to race and racial politics.
An offbeat courtroom drama ... This twin-investigation structure is ingenious. And both inquiries are niftily calibrated to pivot on the issues of skin colour, sex and exploitation ... Mamet's taut, fraught, nervy dialogue bristles with shocking and hilarious truths about the legal process.