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Readings on Audience and Textual Materiality de Carrie Griffin

Readings on Audience and Textual Materiality: The History of the Book

Autor Carrie Griffin
en Limba Engleză Paperback – 21 ian 2016
The twelve essays in this edited collection examine the experience of reading, from the late medieval period to the twentieth century. Central to the theme of the book is the role of materiality: how the physical object – book, manuscript, libretto – affects the experience of the person reading it.
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Specificații

ISBN-13: 9781138664487
ISBN-10: 1138664480
Pagini: 240
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria The History of the Book

Locul publicării:Oxford, United Kingdom

Notă biografică

Griffin, Carrie; Allen, Graham; O'Connell, Mary

Cuprins

Introduction, Graham Allen, Carrie Griffin, Mary O’Connell; Chapter 1 The Memory and Impact of Oral Performance: Shaping the Understanding of Late Medieval Readers, John J. Thompson; Chapter 2 Print, Miscellaneity and the Reader in Robert Herrick’s Hesperides, Ruth Connolly; Chapter 3 Searching for Spectators: From Istoria to History Painting, Liam Lenihan; Chapter 4 Returning to the Text of Frankenstein, Graham Allen; Chapter 5 ‘Casualty’, Mrs Shelley and Seditious Libel: Cleansing Britain’s Most Corrupt Poet of Error, Nora Crook; Chapter 6 Writing Textual Materiality: Charles Clark, his Books and his Bookplate Poem, Carrie Griffin, Mary O’Connell; Chapter 7 Charles Dickens’s Readers and the Material Circulation of the Text, Robert McParland; Chapter 8 Victorian Pantomime Libretti and the Reading Audience, Jill A. Sullivan; Chapter 9 Material Modernism and Yeats, Alex Davis; Chapter 10, Alistair McCleery; Chapter 11, Ton van Kalmthout; Chapter 12 Intermediality: Experiencing the Virtual Text, Órla Murphy;

Descriere

The twelve essays in this edited collection examine the experience of reading, from the late medieval period to the twentieth century. Central to the theme of the book is the role of materiality: how the physical object – book, manuscript, libretto – affects the experience of the person reading it.