Red Velvet: Modern Classics
Autor Lolita Chakrabartien Limba Engleză Paperback – 2 sep 2020
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 50.19 lei 6-8 săpt. | +42.28 lei 7-13 zile |
Samuel French, Inc. – 30 dec 2014 | 89.02 lei 3-5 săpt. | +3.65 lei 7-13 zile |
Bloomsbury Publishing – 2 sep 2020 | 50.19 lei 6-8 săpt. | +42.28 lei 7-13 zile |
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Specificații
ISBN-13: 9781350149137
ISBN-10: 1350149136
Pagini: 112
Dimensiuni: 129 x 198 x 10 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Classics
Locul publicării:London, United Kingdom
ISBN-10: 1350149136
Pagini: 112
Dimensiuni: 129 x 198 x 10 mm
Greutate: 0.09 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Classics
Locul publicării:London, United Kingdom
Caracteristici
Red Velvet premiered in London before transferring to New York in 2014
Notă biografică
Lolita Chakrabarti is a British actress and writer who has worked extensively on stage and screen. Her most recent acting theatre credits include The Great Game, Afghanistan for The Tricycle, Last Seen - Joy for the Almeida, Free Outgoing for the Royal Court and John Gabriel Borkman for the Donmar Warehouse. Her acting screen credits include The Casual Vacancy, Jekyll and Hyde, My Mad Fat Diary season 3, Vera,Outnumbered, Hustle, Extras Christmas Special, Holby City, Silent Witness, Amnesia, William and Mary, Fortysomething, Bodies, and Forgiven. Writing credits include The Goddess for Woman's Hour on BBC Radio 4, Faith, Hope and Blue Charity, also on BBC Radio 4 and Last Seen - Joy for Slung Low and the Almeida. In 2012, Red Velvet was the first play performed under the Tricycle's new artistic director Indhu Rubasingham. It returned to the Tricycle in 2014 before having its US premiere at St Ann's Warehouse New York. Lolita Chakrabarti also runs Lesata Productions with Rosa Maggiora. Their short film won Best Short Narrative at PAFF, Los Angeles 2012. They are currently in development with their first feature.
Recenzii
Chakrabarti's writing is funny and fierce . . . the issues 'Red Velvet' deals with are far from past tense.
Chakrabarti smartly draws parallels between the world of Shakespeare's Othello, the 1830s and our own society. She writes shrewdly about the theatre's role as an instrument of both social progress and conservatism . . . an arresting and sometimes very funny play.
Chakrabarti smartly draws parallels between the world of Shakespeare's Othello, the 1830s and our own society. She writes shrewdly about the theatre's role as an instrument of both social progress and conservatism . . . an arresting and sometimes very funny play.