Representation in Western Music de Joshua S. Walden

Representation in Western Music

Joshua S. Walden

en Limba Engleză Paperback – 26 aug 2015

Representation in Western Music offers a comprehensive study of the roles of representation in the composition, performance and reception of Western music. In recent years, there has been increasing academic interest in questions of musical interpretation and meaning and in music's interactions with other artistic media, and yet no book has dealt extensively with representation's important role in these processes. This volume presents new research about musical representation, with particular focus on Western art and popular music from the nineteenth century to the present day. It assembles essays by an international assortment of leading scholars on a range of subjects including instrumental music, opera, popular song, ballet, cinema and the music video. Individual sections address representation, interpretation and musical meaning; music's relationships with visual forms of representation; musical representation in dramatic forms; and the functions of music in the representation of identity.

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	Preț	Express
Paperback (1)	285^.32 lei 6-8 săpt.
Cambridge University Press – 26 aug 2015	285^.32 lei 6-8 săpt.
Hardback (1)	691^.92 lei 6-8 săpt.
Cambridge University Press – 10 apr 2013	691^.92 lei 6-8 săpt.

Preț

Express

Paperback (1)

285^.32 lei 6-8 săpt.

Cambridge University Press – 26 aug 2015

285^.32 lei 6-8 săpt.

Hardback (1)

691^.92 lei 6-8 săpt.

Cambridge University Press – 10 apr 2013

691^.92 lei 6-8 săpt.

Cuprins

Preface Joshua S. Walden; Part I. Representation and the Interpretation of Musical Meaning: 1. Layers of representation in nineteenth-century genres: the case of one Brahms Ballade Matthew Gelbart; 2. 'As a stranger give it welcome': musical meanings in 1830s London Roger Parker; 3. 'Music is obscure': textless Soviet works and their phantom programmes Marina Frolova-Walker; 4. Representing Arlen Walter Frisch; 5. Video cultures: 'Bohemian Rhapsody', Wayne's World, and beyond Nicholas Cook; Part II. Sound and Visual Representations: Music, Painting, and Dance: 6. 'On wings of song': representing music as agency in nineteenth-century culture Thomas Grey; 7. Representation and musical portraiture in the twentieth century Joshua S. Walden; 8. Representational conundrums: music and early modern dance Davinia Caddy; Part III. Musical Representations in Opera and Cinema: 9. Allusive representations: homoerotics in Wagner's Tristan Laurence Dreyfus; 10. Der Dichter spricht: self-representation in Parsifal Karol Berger; 11. Memory and the leitmotif in cinema Giorgio Biancorosso; 12. Self-representation in music: the case of Hindemith's meta-opera Cardillac Hermann Danuser, translated by J. Bradford Robinson; Part IV. Music, Representation, and the Concepts of East and West: 13. Doing more than representing Western music Rachel Beckles Willson; 14. The persistence of Orientalism in the postmodern operas of Adams and Sellars W. Anthony Sheppard; Afterword: what else? Richard Taruskin.

Recenzii

'How music goes about representing or reflecting certain ideas, individuals, or aspects of other art forms is the overarching subject of this collection. The contributors are an international, extensively published group of scholars, experienced in teaching and writing in their respective fields … Recommended. Graduate students, researchers, faculty.' J. E. Wickell, Choice