Cantitate/Preț
Produs

Representations of the Body in Middle English Biblical Drama: The New Middle Ages

Autor Estella Ciobanu
en Limba Engleză Paperback – 22 dec 2018
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 44577 lei  43-57 zile
  Springer International Publishing – 22 dec 2018 44577 lei  43-57 zile
Hardback (1) 21403 lei  22-36 zile +3055 lei  6-12 zile
  Springer International Publishing – 11 aug 2018 21403 lei  22-36 zile +3055 lei  6-12 zile

Din seria The New Middle Ages

Preț: 44577 lei

Nou

Puncte Express: 669

Preț estimativ în valută:
8531 8862$ 7086£

Carte tipărită la comandă

Livrare economică 03-17 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783030081317
ISBN-10: 3030081311
Pagini: 337
Ilustrații: XVIII, 337 p.
Dimensiuni: 148 x 210 mm
Greutate: 0.43 kg
Ediția:Softcover reprint of the original 1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria The New Middle Ages

Locul publicării:Cham, Switzerland

Cuprins

1.  Introduction: The Demonic/-ised Subaltern’s In-sight.- 2.  The Slaughter of the Innocent(s): The Meek, the Muted and the Discursive Spear of Power.- 3.  The Tyrant Is Dead. Long Live the Tyrant!.- 4.  The Body in Pieces: Judicial Torture and/as Musical Dismemberment in the Passion Plays.- 5.  Commemorations of Christ’s Passion Body: Ostentatio Vulnerum, Redemptive Theology and Violence of Representation in the Post-Crucifixion Plays.- 6.  Noah’s Wife in the Flood Plays: The Body of Argument between Argumentum ad Verecundiam, Argumentum ad Hominem and Argumentum ad Baculum.- 7.  Stipendia Enim Peccati, Mors.- 8.  Conclusion.

Recenzii

“Encouraging those who work in the domain to take a renewed perspective on the many forms of subjugation that these plays rehearse gives much food for thought as to how to tackle the parts of biblical drama that should cause critical discomfort. In this regard, it is a most welcome contribution to early drama studies.” (Sarah Brazil, Speculum, Vol. 95 (1), January, 2020)

Notă biografică

Estella Ciobanu is Associate Professor of English at Ovidius University of Constanţa, Romania. Her academic interests include iconization studies and gendered representations of the body in anatomo-medical practices and the arts. She has authored The Spectacle of the Body in Late Medieval England (2012) and The Body Spectacular in Middle English Theatre (2013).


Textul de pe ultima copertă

Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.  

Caracteristici

Focuses on Middle English biblical drama Considers onstage performance as well as performativity and identity more broadly Provides socio-political and cultural insights on the medieval period