Robert Louis Stevenson and the Pictorial Text: A Case Study in the Victorian Illustrated Novel: Studies in Publishing History: Manuscript, Print, Digital
Autor Richard J. Hillen Limba Engleză Hardback – 21 noi 2016
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Specificații
ISBN-13: 9781472414229
ISBN-10: 1472414225
Pagini: 234
Ilustrații: 59 Halftones, black and white
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Publishing History: Manuscript, Print, Digital
Locul publicării:Oxford, United Kingdom
ISBN-10: 1472414225
Pagini: 234
Ilustrații: 59 Halftones, black and white
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Publishing History: Manuscript, Print, Digital
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
CONTENTS
List of Illustrations
Acknowledgments
Introduction
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Conclusion
Bibliography
List of Illustrations
Acknowledgments
Introduction
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Conclusion
Bibliography
Notă biografică
Richard J. Hill is Assistant Professor in the Department of English at Chaminade University of Hawaii, USA.
Descriere
Robert Louis Stevenson and the Pictorial Text explores the genesis, production and the critical appreciation of the illustrations to the fiction of Robert Louis Stevenson. Stevenson is one of the most copied and interpreted authors of the late nineteenth century, especially his novels Treasure Island and Strange Case of Dr Jekyll and Mr Hyde. These interpretations began with the illustration of his texts in their early editions, often with Stevenson’s express consent, and this book traces Stevenson’s understanding and critical responses to the artists employed to illustrate his texts. In doing so, it attempts to position Stevenson as an important thinker and writer on the subject of illustrated literature, and on the marriage of literature and visual arts, at a moment preceding the dawn of cinema, and the rejection of such popular tropes by modernist writers of the early twentieth century.