Samuel Beckett and Disability Performance: New Interpretations of Beckett in the Twenty-First Century
Autor Hannah Simpsonen Limba Engleză Paperback – 22 aug 2023
Winner of the TaPRA David Bradby Monograph Prize, 2023.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 708.14 lei 6-8 săpt. | |
Springer International Publishing – 22 aug 2023 | 708.14 lei 6-8 săpt. | |
Hardback (1) | 713.24 lei 6-8 săpt. | |
Springer International Publishing – 21 aug 2022 | 713.24 lei 6-8 săpt. |
Preț: 708.14 lei
Preț vechi: 863.58 lei
-18% Nou
Puncte Express: 1062
Preț estimativ în valută:
135.52€ • 140.77$ • 112.57£
135.52€ • 140.77$ • 112.57£
Carte tipărită la comandă
Livrare economică 03-17 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9783031041358
ISBN-10: 3031041356
Ilustrații: XXII, 229 p. 13 illus., 12 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.3 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Interpretations of Beckett in the Twenty-First Century
Locul publicării:Cham, Switzerland
ISBN-10: 3031041356
Ilustrații: XXII, 229 p. 13 illus., 12 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.3 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria New Interpretations of Beckett in the Twenty-First Century
Locul publicării:Cham, Switzerland
Cuprins
Chapter 1: Endgame: Anxieties of the Body (Theatre Workshop Scotland, 2007).- Chapter 2: Endgame: Me to Play (The Endgame Project, 2012).- Chapter 3: Not I: Compulsion and Agency (Touretteshero, 2017-2020).- Chapter 4: Waiting for Godot: The Struggle to Be (Culture Device and Hackney Showroom, 2018).- Chapter 5: This.Here: Recuperative and Recuperating (Rosetta Life and Stroke Odysseys, 2019).- Chapter 6: Conclusion: Virtuosic Bodies.
Notă biografică
Hannah Simpson is Rosemary Pountney Research Fellow at St Anne’s College, University of Oxford, UK. She specialises in modern and contemporary theatre and performance, with a particular interest in the work of Samuel Beckett and issues of physical pain and disability. She is also the author of Witnessing Pain: Samuel Beckett and Post-War Francophone Theatre (2022), and the Theatre Review Editor for The Beckett Circle (The Samuel Beckett Society).
Textul de pe ultima copertă
Beckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body.
Hannah Simpson is Rosemary Pountney Research Fellow at St Anne’s College, University of Oxford, UK. She specialises in modern and contemporary theatre and performance, with a particular interest in the work of Samuel Beckett and issues of physical pain and disability. She is also the author of Witnessing Pain: Samuel Beckett and Post-War Francophone Theatre (2022), and the Theatre Review Editor for The Beckett Circle (The Samuel Beckett Society).
Caracteristici
First volume dedicated to exploring Beckett’s plays within the framework of disability theory Brings together Beckett scholarship and disability theory Combines interviews with disability theatre actors and directors alongside analysis of play-texts and performances