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Samuel Beckett

Editat de R. Federman, L. Graver
en Limba Engleză Hardback – 6 mar 1997
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes.
This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
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Specificații

ISBN-13: 9780415159548
ISBN-10: 0415159547
Pagini: 396
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.61 kg
Ediția:Revised
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Cuprins

Introduction; Chapter 1 ‘Proust’; Chapter 2 ‘More Pricks than Kicks’ (1934); Chapter 3 ‘Murphy’ (1938); Chapter 4 ‘Molloy’ (1951); Chapter 5 ‘Malone Dies’ (1951); Chapter 6 ‘Samuel Beckett: an Introduction’ (1952); Chapter 7 ‘Waiting for Godot’ (1952–3); Chapter 8 ‘The Unnamable’ (1953); Chapter 9 ‘Watt’ (1953); Chapter 10 ‘Stories and Texts for Nothing’ (1955); Chapter 11 An Interview with Beckett (1956); Chapter 12 ‘All That Fall’ (1957); Chapter 13 ‘Endgame’ (1957); Chapter 14 Working with Beckett (1958); Chapter 15 ‘Krapp's Last Tape’; (1958); Chapter 16 ‘The Trilogy’ (1959–60); Chapter 17 Interviews with Beckett (1961); Chapter 18 ‘How It Is’ (1961); Chapter 19 ‘Happy Days’ (1961); Chapter 20 ‘Poems in English’ (1961); Chapter 21 ‘Play’ (1964); Chapter 22 ‘Film’ (1964); Chapter 23 ‘Imagination Dead Imagine’ (1965); Chapter 24 ‘No's Knife’ (1967); Chapter 25 Beckett awarded the Nobel Prize for Literature (1969); Chapter 26 ‘Mercier and Camier’ (1970); Chapter 27 ‘The Lost Ones’ (1970); Chapter 28 ‘Not I’ (1972); Chapter 29 Encounters with Beckett (1975); Chapter 30 ‘That Time’ and ‘Footfalls’ (1976); Chapter 31 ‘For To End Yet Again’ (1976); Chapter 32 ’Ghost Trio’ and ‘…but the clouds…’ (1977); Chapter 33 ‘Collected Poems in English and French’ (1977); Select Bibliography; Index;

Descriere

Samuel Beckett (1906-1989). Irish dramatist and poet. His use of the stage and dramatic narrative and symbolism has revolutionalized drama in England.