Shakespeare and Indian Cinemas: "Local Habitations": Routledge Studies in Shakespeare
Editat de Poonam Trivedi, Paromita Chakravartien Limba Engleză Hardback – 6 aug 2018
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Specificații
ISBN-13: 9781138946927
ISBN-10: 1138946923
Pagini: 358
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.61 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Shakespeare
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138946923
Pagini: 358
Dimensiuni: 152 x 229 x 25 mm
Greutate: 0.61 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Shakespeare
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Introduction Poonam Trivedi and Paromita Chakravarti
Part I. Indigenising the Tragic
1. Woman as Avenger: ‘Indianising’ the Shakespearean Tragic in the Films of Vishal Bhardwaj Poonam Trivedi
2. Eklavya: Shakespeare Meets the Mahabharata Robert S White
3. Reworking Shakespeare in Telugu Cinema: King Lear to Gunasundari Katha Nishi Pulugartha
4. Shakespeare in Malayalam Cinema: Cultural and Mythic Interface, Narrative Negotiations C.S. Venkiteswaran
5. ‘Where art thou Muse that thou forget’st so long,/To speak of that which gives thee all thy might?’: Qayamat Se Qayamat Tak (1988) – A Neglected Shakespeare Film Koel Chatterjee
Part II. Critical Innovations: Historiography of Silence and Poetics of Rasa
6. The Indian ‘Silent’ Shakespeare: Recouping an Archive Amrit Gangar
7. Shakespeare, Cinema and Indian Poetics Anil Zankar
Part III. Between the Global and the Local
8. Such a Long Journey: Rohinton Mistry’s Parsi King Lear from Fiction to Film Preti Taneja
9. Cinematic Lears and Bengaliness: Locus, Identity, Language Paromita Chakravarti
10. Shakespeare and Indian Independent Cinema: 8 × 10 Tasveer and 10ml Love Varsha Panjwani
11. "Singing is Such Sweet Sorrow": Ambikapathi, Hollywood Shakespeare and Tamil Cinema’s Hybrid Heritage Thea Buckley
Part IV. Reimagining Gender, Region and Nation
12. Gendered Play and Regional Dialogue in Nanjundi Kalyana Mark Thornton Burnett
13. Not the Play but the Playing: Citation of Performing Shakespeare as a Trope in Tamil Cinema A. Mangai
14. Indianising The Comedy of Errors: Bhranti Bilash and Its Aftermaths Amrita Sen
15. Regional Reflections: Shakespeare in Assamese Cinema Parthajit Baruah
Part V. Interviews
Part VI. Filmography
Part I. Indigenising the Tragic
1. Woman as Avenger: ‘Indianising’ the Shakespearean Tragic in the Films of Vishal Bhardwaj Poonam Trivedi
2. Eklavya: Shakespeare Meets the Mahabharata Robert S White
3. Reworking Shakespeare in Telugu Cinema: King Lear to Gunasundari Katha Nishi Pulugartha
4. Shakespeare in Malayalam Cinema: Cultural and Mythic Interface, Narrative Negotiations C.S. Venkiteswaran
5. ‘Where art thou Muse that thou forget’st so long,/To speak of that which gives thee all thy might?’: Qayamat Se Qayamat Tak (1988) – A Neglected Shakespeare Film Koel Chatterjee
Part II. Critical Innovations: Historiography of Silence and Poetics of Rasa
6. The Indian ‘Silent’ Shakespeare: Recouping an Archive Amrit Gangar
7. Shakespeare, Cinema and Indian Poetics Anil Zankar
Part III. Between the Global and the Local
8. Such a Long Journey: Rohinton Mistry’s Parsi King Lear from Fiction to Film Preti Taneja
9. Cinematic Lears and Bengaliness: Locus, Identity, Language Paromita Chakravarti
10. Shakespeare and Indian Independent Cinema: 8 × 10 Tasveer and 10ml Love Varsha Panjwani
11. "Singing is Such Sweet Sorrow": Ambikapathi, Hollywood Shakespeare and Tamil Cinema’s Hybrid Heritage Thea Buckley
Part IV. Reimagining Gender, Region and Nation
12. Gendered Play and Regional Dialogue in Nanjundi Kalyana Mark Thornton Burnett
13. Not the Play but the Playing: Citation of Performing Shakespeare as a Trope in Tamil Cinema A. Mangai
14. Indianising The Comedy of Errors: Bhranti Bilash and Its Aftermaths Amrita Sen
15. Regional Reflections: Shakespeare in Assamese Cinema Parthajit Baruah
Part V. Interviews
Part VI. Filmography
Descriere
This book explores Shakespeare in Indian cinemas, including less familiar, Indian language cinemas to contribute to current studies in global Shakespeare. Visiting diverse filmic genres and expanding the very notion of ‘Indian cinema’, essays focus on the inter-textualities between Shakespearean theatre, regional cinema, performative traditions, and literary histories in India, analyzing the interplay of aesthetic, historical, socio-political, and theoretical contexts. The book tracks the intra–Indian flows and cross-currents between the various film industries, and intervenes in the politics of multiculturalism and inter/intraculturalism built up around Shakespearean appropriations.