Cantitate/Preț
Produs

Sound: A Reader in Theatre Practice: Readings in Theatre Practice

Autor Ross Brown
en Limba Engleză Paperback – 26 noi 2009
Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 22292 lei  6-8 săpt.
  Bloomsbury Publishing – 26 noi 2009 22292 lei  6-8 săpt.
Hardback (1) 59285 lei  6-8 săpt.
  Bloomsbury Publishing – 29 noi 2009 59285 lei  6-8 săpt.

Din seria Readings in Theatre Practice

Preț: 22292 lei

Nou

Puncte Express: 334

Preț estimativ în valută:
4268 4634$ 3589£

Carte tipărită la comandă

Livrare economică 16-30 decembrie

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780230551886
ISBN-10: 0230551882
Pagini: 264
Ilustrații: 3 figures, 9 b/w photos
Dimensiuni: 155 x 235 x 15 mm
Greutate: 0.39 kg
Ediția:2009
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Readings in Theatre Practice

Locul publicării:London, United Kingdom

Caracteristici

Contains previously unpublished material by and new interviews with leading contemporary innovators of theatre sound, including John Collins (Wooster Group) and Scott Gibbons (Socìetas Raffaello Sanzio)

Notă biografică

ROSS BROWN is Dean of Studies and Reader in Sound at the Central School of Speech and Drama, University of London, UK. He is Convenor of the International Theatre Sound Colloquium His professional career as a theatre composer, musician and sound designer includes productions for BBC Radio Drama, Shared Experience, RSC, The Almeida, BAC, The Gate, The Royal Court, The Shadow Syndicate, Glasgow Citizens', Lancaster Duke's, Derby Playhouse, Red Shift and many other prestigious companies in the commercial and subsidised sectors.

Cuprins

Series Editor's Preface Introduction: The Theatre of Sound PART I: DRAMATURGICALLY ORGANISED NOISE Defining Theatre Sound Design What the Textbooks Say The Pre-History of Sound Design Alternative Takes Five Sound Designers in their Own Words PART II: THEATRICALLY ORGANISED HEARING Problems with Sound as Scenography Live Listening: The Aural Phenomenology of Theatre Resounding Theatres Alternative Realities John Levack Drever on Sound Effect-Object-Event Conclusion Bibliography.