Cantitate/Preț
Produs
Total produse
Vezi coșul
The Art of Rehearsal: Conversations with Contemporary Theatre Makers de Barbara Simonsen

The Art of Rehearsal: Conversations with Contemporary Theatre Makers: Theatre Makers

Editat de Barbara Simonsen
en Limba Engleză Paperback – 19 apr 2017
What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 18 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create groundbreaking new work.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 18430 lei  6-8 săpt.
  Bloomsbury Publishing – 19 apr 2017 18430 lei  6-8 săpt.
Hardback (1) 56464 lei  6-8 săpt.
  Bloomsbury Publishing – 19 apr 2017 56464 lei  6-8 săpt.

Din seria Theatre Makers

  • 11% Edward Bond: The Playwright Speaks
    Preț: 17690 lei
  • 19% Simon Stephens: A Working Diary
    Preț: 16609 lei
  • 14% Steppenwolf Theatre Company of Chicago: In Their Own Words
    Preț: 17762 lei
  • The Moving Body (Le Corps Poétique): Teaching Creative Theatre
    Preț: 13459 lei
  • 9% Adrian Lester and Lolita Chakrabarti: A Working Diary
    Preț: 14961 lei
  • 9% The Uncapturable: The Fleeting Art of Theatre
    Preț: 14927 lei
  • 36% The Art of Resonance
    Preț: 9273 lei
  • 8% Toward a Future Theatre: Conversations during a Pandemic
    Preț: 14552 lei
  • The Dramaturgy of Space
    Preț: 14417 lei
  • The Art of Making Theatre: An Arsenal of Dreams in 12 Scenes
    Preț: 14489 lei
  • Notes from the Rehearsal Room: A Director’s Process
    Preț: 12405 lei
  • 8% Artaud's Revolutionary Messages
    Preț: 14552 lei
  • Theatre Across Borders
    Preț: 15131 lei
  • 8% The Theatre and its Double
    Preț: 10828 lei
  • 9% Julie Hesmondhalgh: A Working Diary
    Preț: 15745 lei
  • 12% The Collected Essays of Arthur Miller
    Preț: 18274 lei
  • 15% Devising Theatre with Stan’s Cafe
    Preț: 17801 lei
  • 26% Meyerhold on Theatre
    Preț: 19885 lei
  • 12% Joan's Book: The Autobiography of Joan Littlewood
    Preț: 24734 lei
  • 15% The Actor and His Body
    Preț: 14961 lei
  • 14% Granville Barker on Theatre: Selected Essays
    Preț: 17145 lei
  • 15% Julius Caesar and Me: Exploring Shakespeare's African Play
    Preț: 16274 lei
  • 19% Contemporary Women Stage Directors: Conversations on Craft
    Preț: 16584 lei
  • 19% Movement Directors in Contemporary Theatre: Conversations on Craft
    Preț: 16671 lei
  • 24% Talking about Immersive Theatre: Conversations on Immersions and Interactivities in Performance
    Preț: 18923 lei

Preț: 18430 lei

Preț vechi: 22791 lei
-19% Nou

Puncte Express: 276
Preț estimativ în valută:
3527€ • 3677$ • 2936£

Carte tipărită la comandă

Livrare economică 06-20 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781474292016
ISBN-10: 1474292011
Pagini: 264
Dimensiuni: 138 x 216 x 22 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Makers

Locul publicării:London, United Kingdom

Caracteristici

There is little else available about rehearsal processes and the methods employed to overcome common obstacles

Notă biografică

Barbara Simonsen (DK) is director, dramaturg and artistic director and founder of Seachange Lab (formerly Laboratoriet) in Aarhus, Denmark, an independent and international centre for practical artistic research and performing arts experiments. Born in 1967, she holds a Master of Comparative Literature and Dramaturgy from Aarhus University and has taught in the Aarhus University departments of Dramaturgy, Comparative Literature and Aesthetics and Culture. In 2004, Simonsen founded Det Andet Teater (The Other Theatre), known as Teater Seachange since 2016, where her experimental productions range from audioplays in cinemas to international music theatre and interactive installations. Simonsen has worked for many years as consultant and facilitator for directors, playwrights, choreographers and companies, specializing in the analysis and development of process, tools and methods.

Cuprins

ContentsList of IllustrationsAcknowledgementsNotes on ContributorsPreface by Paul AllainIntroduction: No one's ever asked me that by Barbara SimonsenInterviews1. Annabel Arden (director, Complicité, UK)2. Eugenio Barba (director, Odin Teatret, Denmark)3. Jérôme Bel (choreographer, France)4. Rachel Chavkin (director, The TEAM, USA)5. Kirsten Dehlholm (director, stage designer, Hotel Pro Forma, Denmark)6. Maxine Doyle (choreographer, Punchdrunk, UK)7. Jan Fabre (director, visual artist, Troubleyn, Belgium)8. Richard Foreman (director, Ontological-Hysteric Theatre, USA)9. Heiner Goebbels (director, Germany) 10. Helgard Haug (director, Rimini Protokoll, Germany)11. Bojan Jablanovec (director, Via Negativa, Slovenia)12. Elizabeth LeCompte (director, The Wooster Group, USA)13. Richard Lowdon (performer, Forced Entertainment, UK)14. Soheil Parsa (director, Modern Times Stage Company, CAN)15. Diane Paulus (director, USA)16. Catherine Poher (director, France/Denmark)17. Berit Stumpf and Sean Patten (performers, Gob Squad, UK)18. Wayn Traub (director, composer, Belgium)Appendix of Interview dates and translatorsIndex

Descriere

What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 18 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create groundbreaking new work.