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Edward Bond: The Playwright Speaks: Theatre Makers

David Tuaillon Contribuţii de Edward Bond
en Limba Engleză Paperback – 21 oct 2015
Over 50 years after his first appearance on the theatre scene, Edward Bond remains a hugely significant figure in the history of modern British playwriting. His plays are the subject of much debate and frequent misinterpretation, with his extensive use of allegory and metaphor to comment on the state of society and humanity in general leading to many academics, theatre practitioners and students trying - and often failing - to make sense of his plays over the years. In this unique collection, David Tuaillon puts these pressing questions and mysteries to Edward Bond himself, provoking answers to some of his most elusive dramatic material, and covering an extraordinary range of plays and subjects with real clarity. With a particular focus on Bond's later plays, about which much less has been written, this book draws together very many questions and issues within a thematic structure, while observing chronology within that.Edward Bond: The Playwright Speaks is potentially the most comprehensive, precise and clear account of the playwright's work and time in the theatre to date, distilling years and schools of thought into one single volume.Published to mark the 50th anniversary of the first performance of Edward Bond's Saved at the Royal Court Theatre in 1965.
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Specificații

ISBN-13: 9781472570062
ISBN-10: 1472570065
Pagini: 216
Dimensiuni: 138 x 216 x 10 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Makers

Locul publicării:London, United Kingdom

Caracteristici

Alongside drawing together many of the thought processes that have been previously discussed by Edward Bond in his own writing on theatre, this volume also contains new material and revelations, particularly in its treatment of his later work.

Notă biografică

Edward Bond is widely regarded as the UK's greatest and most influentlial playwright. His plays include The Pope's Wedding (Royal Court Theatre, 1962), Saved (Royal Court, 1965), Early Morning (Royal Court, 1968), Lear (Royal Court, 1971), The Sea (Royal Court, 1973), The Fool (Royal Court, 1975), The Woman (National Theatre, 1978), Restoration (Royal Court, 1981) and The War Plays (RSC at the Barbican Pit, 1985).David Tuaillion is a teacher/researcher, with a PhD in entertainment, specialising in performance and contemporary dramaturgy.

Cuprins

Chapter 1: The one thing Shakespeare never does is despairChapter 2: What is terrible about evil is not that it is banal but that it is domesticatedChapter 3: Language is an octopus with a million legsChapter 4: In all these gaps there is the possibility of freedomChapter 5: Truth can be very uglyChapter 6: Objects are peopleChapter 7: The Kitchen Table and the Edge of the UniverseChapter 8: Reality doesn't become practical until it tells you its meaningChapter 9: Nobody knows how to deal with innocenceEpilogue: The stage is us

Recenzii

Tuaillon has compiled a remarkable collection that includes some of the greatest writing on theatre practice I've ever read . This new collection is seminal . It will prove a vital resource for anyone working in contemporary theatre.