Meyerhold on Theatre: Theatre Makers
Autor Edward Braun Introducere de Jonathan Pitchesen Limba Engleză Paperback – 27 ian 2016
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Specificații
ISBN-10: 1474230202
Pagini: 432
Dimensiuni: 129 x 198 x 25 mm
Greutate: 0.45 kg
Ediția:4
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Theatre Makers
Locul publicării:London, United Kingdom
Caracteristici
Notă biografică
Edward Braun is Emeritus Professor of Drama at the University of Bristol. He edited the pioneering English-language selection from Meyerhold's writings, Meyerhold on Theatre, in 1969, and in 1979 published his major critical assessment, The Theatre of Meyerhold. His The Director & the Stage was first published in 1982.Jonathan Pitches is Professor of Theatre and Performance and Director of Research in the School of Performance and Cultural Industries at Leeds University. He is the author and/or editor of four books, three of which relate to actor training and is the founding co-editor of the Routledge journal, Theatre Dance and Performance Training.
Recenzii
It is rare that books can capture the spirit in which productions happen, but Edward Braun's anthology . . . does transmit not only the swiftly changing contexts in which Meyerhold worked, but the still-relevant impulses which his work embodied, and which have sown the seeds of so much that the modern theatre still grapples with.
Descriere
Meyerhold on Theatre brings together in one volume Vsevolod Meyerhold's most significant writings and utterances, and covers his entire career as a director from 1902 to 1939. It contains a comprehensive selection from all published material, unabridged and translated from the original Russian, updated and supplemented with a critical commentary relating Meyerhold to his period and eye-witness accounts describing all his productions. The book is illustrated with photographs of Meyerhold's designs and productions. Within this diverse collection of sometimes dense, sometimes lyrical, and always fascinating writings, Meyerhold emerges from this book as a forerunner of such directors as Brecht, Piscator, Planchon and Brook, a relentless enemy of naturalism and a supreme exponent of total theatre whose influence continues to be felt throughout the theatre of today.This fourth edition features a new introduction by Prof. Jonathan Pitches, which helps to demystify some of the terminology Meyerhold and his associates used, and indicates the fundamental connection between culture and politics represented in his life and art.