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The Actor, Image, and Action: Acting and Cognitive Neuroscience de Rhonda Blair

The Actor, Image, and Action: Acting and Cognitive Neuroscience

Autor Rhonda Blair
en Limba Engleză Paperback – 26 noi 2007
Reassessing the practice and theory of acting, this book examines the physiological relationship between bodily action and emotional experience. It looks at how imagination, emotion, memory, physicality, and reason are inseparable in the brain's structure and function, and their importance to an actor's engagement with a role.
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Specificații

ISBN-13: 9780415774178
ISBN-10: 0415774179
Pagini: 158
Ilustrații: black & white illustrations
Dimensiuni: 138 x 216 x 13 mm
Greutate: 0.3 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Recenzii

'A valuable and provocative insight in an area of thinking that is still relatively new to the field of theatre ... Rhonda Blair's work has the potential to lead toward new techniques in actor training.' ߝ Sharon Carnicke, University of Southern California, USA

'Actors of the 21st Century should read and ponder the implications of this book.' –  Sharon Carnicke, University of Southern California

'A valuable and provocative insight in an area of thinking that is still relatively new to the field of theatre ... Rhonda Blair's work has the potential to lead toward new techniques in actor training.' - Sharon Carnicke, University of Southern California, USA

Cuprins

Preface 1. Acting, History, and Science 2. The Twentieth Century Heritage 3. A Way of Thinking about Acting 4. Applications Afterword Appendix: Translation: Image, Action, and Chekhov's The Seagull

Descriere

The Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the insights of cognitive neuroscience. In a brilliant reassessment of both the practice and theory of acting, Rhonda Blair examines the physiological relationship between bodily action and emotional experience. In doing so she provides the latest step in Stanislavsky's attempts to help the actor 'reach the unconscious by conscious means'.
Recent developments in scientific thinking about the connections between biology and cognition require new ways of understanding many elements of human activity, including:

 

  • imagination
  • emotion
  • memory
  • physicality
  • reason.

The Actor, Image and Action looks at how these are in fact inseparable in the brain's structure and function, and their crucial importance to an actor’s engagement with a role. The book vastly improves our understanding of the actor's process and is a must for any actor or student of acting.