Cantitate/Preț
Produs

Devising Performance: A Critical History: Theatre and Performance Practices

Autor Dr. Jane Milling, Deirdre Heddon
en Limba Engleză Paperback – 11 oct 2015
What is the history of devised theatre? Why have theatre-makers, since the 1950s, chosen to devise performances? What different sorts of devising practices are there? What are the myths attached to devising, and what are the realities?First published in 2005, Devising Performance remains the only book to offer the reader a history of devising practice. Charting the development of collaboratively created performances from the 1950s to the early 21st century, it presents a range of case studies drawn from Britain, America and Australia. Companies discussed include The Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Théâtre de Complicité, Legs on the Wall, Forced Entertainment, Goat Island and Graeae. Providing a history of devising practice, Deirdre Heddon and Jane Milling encourage us to look more carefully at the different modes of devising and to consider the implications of our use of these practices in the 21st century.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 17183 lei  43-57 zile
  Bloomsbury Publishing – 11 oct 2015 17183 lei  43-57 zile
Hardback (1) 49671 lei  43-57 zile
  Bloomsbury Publishing – 11 oct 2015 49671 lei  43-57 zile

Din seria Theatre and Performance Practices

Preț: 17183 lei

Preț vechi: 22386 lei
-23% Nou

Puncte Express: 258

Preț estimativ în valută:
3288 3416$ 2732£

Carte tipărită la comandă

Livrare economică 03-17 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781137426772
ISBN-10: 1137426772
Pagini: 282
Dimensiuni: 155 x 235 x 15 mm
Greutate: 0.33 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Theatre and Performance Practices

Locul publicării:London, United Kingdom

Caracteristici

Contains a new foreword outlining developments in the discipline and future directions, plus an entirely new further reading section

Notă biografică

Deirdre Heddon is Professor of Contemporary Performance at the University of Glasgow, UK. She is the author of Autobiography and Performance (Palgrave, 2008), co-author of Walking, Writing and Performance: Autobiographical Texts (Intellect, 2009) and editor of a number of anthologies, including Histories and Practice of Live Art (Palgrave, 2012). She is also series co-editor for Performing Landscapes (Palgrave). Dee is currently Dean of the Scottish Graduate School for Arts & Humanities. Jane Milling is Associate Professor of Drama at the University of Exeter, UK. She is co-author of Modern Theories of Performance (Palgrave 2001), Modern British Playwriting: The 1980s (Methuen, 2012) and co-editor of a number of volumes including Cambridge History of British Theatre (CUP, 2004). She is series editor, with Graham Ley, of Theatre and Performance Practices (Palgrave). She is currently at work on research projects around amateur drama and understanding cultural participation.

Cuprins

General Editors' PrefaceAcknowledgementsForeword1. Introduction2. Devising and Acting3. Devising and Visual Performance4. Devising and Political Theatre5. Devising and Communities6. Contemporary Devising and Physical Performance7. Contemporary Devising and Postmodern Performance8. ConclusionsNotesFurther ReadingBibliographyIndex.

Descriere

What is the history of devised theatre? Why have theatre-makers, since the 1950s, chosen to devise performances? What different sorts of devising practices are there? What are the myths attached to devising, and what are the realities?First published in 2005, Devising Performance remains the only book to offer the reader a history of devising practice. Charting the development of collaboratively created performances from the 1950s to the early twenty-first century, it presents a range of case studies drawn from Britain, America and Australia. Companies discussed include The Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Theatre de Complicite, Legs on the Wall, Forced Entertainment, Goat Island and Graeae.

Providing a history of devising practice, Deirdre Heddon and Jane Milling encourage us to look more carefully at the different modes of devising and to consider the implications of our use of these practices in the twenty-first century.