Stone Mattress: Anchor Books
Autor Margaret Atwooden Limba Engleză Paperback – 22 iun 2015
In this extraordinary collection, Margaret Atwood gives us nine unforgettable tales that reveal the grotesque, delightfully wicked facets of humanity. Alphinland, the first of three loosely linked tales, introduces us to a fantasy writer who is guided through a stormy winter evening by the voice of her late husband. In Lusus Naturae, a young woman, monstrously transformed by a genetic defect, is mistaken for a vampire. And in the title story, a woman who has killed four husbands discovers an opportunity to exact vengeance on the first man who ever wronged her.
By turns thrilling, funny, and thought-provoking, "Stone Mattress" affirms Atwood as our greatest creator of worlds and as an incisive chronicler of our darkest impulses."
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 49.18 lei 22-36 zile | +25.74 lei 5-11 zile |
| Little Brown Book Group – iun 2015 | 49.18 lei 22-36 zile | +25.74 lei 5-11 zile |
| Anchor Books – 22 iun 2015 | 77.77 lei 17-23 zile | +6.74 lei 5-11 zile |
| Hardback (1) | 99.29 lei 22-36 zile | +52.85 lei 5-11 zile |
| Bloomsbury Publishing – 27 aug 2014 | 99.29 lei 22-36 zile | +52.85 lei 5-11 zile |
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Specificații
ISBN-13: 9780804173506
ISBN-10: 0804173508
Pagini: 304
Dimensiuni: 132 x 203 x 15 mm
Greutate: 0.22 kg
Editura: Anchor Books
Colecția Anchor Books
Seria Anchor Books
ISBN-10: 0804173508
Pagini: 304
Dimensiuni: 132 x 203 x 15 mm
Greutate: 0.22 kg
Editura: Anchor Books
Colecția Anchor Books
Seria Anchor Books
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Notă biografică
Descriere
Descriere de la o altă ediție sau format:
A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence.
A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence.
Caracteristici
This is Margaret Atwood's first story collection since Moral Disorder was published in 2006. This new collection contains seven previously unseen stories
Recenzii
Dark and witty tales from the gleefully inventive Margaret Atwood . Witty verve, imaginative inventiveness and verbal sizzle vivify every page
Atwood illuminates heavy themes with a lightness of touch, giving insight not only into the nature of stone but the trials and tribulations of flesh and blood
This collection of short stories is charged with a delightful cheekiness . Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking. Anyone keen to consign literary fiction to an early grave will have to deal with her first
What does it mean to be a woman today? Many writers have made this fertile ground their home, but few have been able to lay such enduring claim to it as Margaret Atwood . Her latest work, Stone Mattress, a collection of nine acerbic, mischievous, gulpable short stories, addresses themes that will resonate with anyone familiar with Atwood's writing . Atwood's gimlet eye and sharp tongue are turned on the ageing process to painfully accurate effect
With death tapping at her characters' doors in more ways than one, Atwood shows herself, through these exquisitely inhabited inner lives and darkly funny stories, to be pulsing with more imaginative vivacity than ever
Here it is again, the sharp-clawed, gimlet-eyed, takes-no-prisoners Atwood whose humour is wickedly enjoyable . But there is beauty in this writing as well as harsh observational gems, and Atwood creates atmosphere with loving care, from the first sentence of the first story
Atwood's trademark dark humour and withering social commentary are pervasive throughout and the stories are so stealthily plotted that I gasped at one particular denouement despite it having been clearly signposted in the story's title . Her skill enables the reader to stomach ambiguous endings that in the hands of a less accomplished writer might feel accidental, uncrafted. "Will she or won't she (pull it off)?" wonders the narrator towards the end of one of the tales. With this collection, we are never in any doubt *****
Nine darkly funny tales had me truly engrossed . The characters are sharply observed and the plots imaginative. Atwood deploys words with the precision of a Swiss watchmaker. Pithy, powerful sentences evoke intense emotion or add more background detail than you'd think possible in so few characters. Hers is the work of a true wordsmith. Atwood's fast-paced tales had me gripped from the off . Stone Mattress is a delight to read - engaging, entertaining and wickedly witty. If you've yet to dip your toe into the world of short stories, you could do a lot worse than starting with either of these collections. Though for sheer originality, I'd recommend Stone Mattress in a heartbeat
After more than 50 books and decades in the literary limelight, Atwood can still surprise with the explosive originality of her ideas; her writing always fresh and alive . A darkly irresistible read
Nine Tales, the subtitle of this collection of short stories, references that dreaded implement of torture, the cat o' nine tails, which lacerates the skin with its cotton cords. Metaphorically, that is exactly how Stone Mattress works - each tale, told with Atwood's exquisite economy of style, cuts deep
Realism and ridiculousness, play and deadly seriousness, are held in fine balance throughout . This long view throughout the collection is entirely unsparing, both of the vanished past and the vanishing present, but Atwood's prose is so sharp and sly that the effect is bracing rather than bleak
Atwood's take on subjects such as old age, disappointment and revenge are particularly engaging. These stories are often dark, funny and deadly serious . Atwood is at her best writing about death, a subject that comes and goes throughout these stories
Typically compelling. Full to brimming with a dust-dry wit and thrilling, punchline sentences, eclectic in its plots but enriched by overarching themes . With their crackling dialogue and skilful time-tumbles, these "tales" of cruelty and regret at beautifully rendered, funny and alive, unflinching in their portrayals of the ageing process and unexpectedly poignant
Rich in sly humour and pulpy thrills
Atwood illuminates heavy themes with a lightness of touch, giving insight not only into the nature of stone but the trials and tribulations of flesh and blood
This collection of short stories is charged with a delightful cheekiness . Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking. Anyone keen to consign literary fiction to an early grave will have to deal with her first
What does it mean to be a woman today? Many writers have made this fertile ground their home, but few have been able to lay such enduring claim to it as Margaret Atwood . Her latest work, Stone Mattress, a collection of nine acerbic, mischievous, gulpable short stories, addresses themes that will resonate with anyone familiar with Atwood's writing . Atwood's gimlet eye and sharp tongue are turned on the ageing process to painfully accurate effect
With death tapping at her characters' doors in more ways than one, Atwood shows herself, through these exquisitely inhabited inner lives and darkly funny stories, to be pulsing with more imaginative vivacity than ever
Here it is again, the sharp-clawed, gimlet-eyed, takes-no-prisoners Atwood whose humour is wickedly enjoyable . But there is beauty in this writing as well as harsh observational gems, and Atwood creates atmosphere with loving care, from the first sentence of the first story
Atwood's trademark dark humour and withering social commentary are pervasive throughout and the stories are so stealthily plotted that I gasped at one particular denouement despite it having been clearly signposted in the story's title . Her skill enables the reader to stomach ambiguous endings that in the hands of a less accomplished writer might feel accidental, uncrafted. "Will she or won't she (pull it off)?" wonders the narrator towards the end of one of the tales. With this collection, we are never in any doubt *****
Nine darkly funny tales had me truly engrossed . The characters are sharply observed and the plots imaginative. Atwood deploys words with the precision of a Swiss watchmaker. Pithy, powerful sentences evoke intense emotion or add more background detail than you'd think possible in so few characters. Hers is the work of a true wordsmith. Atwood's fast-paced tales had me gripped from the off . Stone Mattress is a delight to read - engaging, entertaining and wickedly witty. If you've yet to dip your toe into the world of short stories, you could do a lot worse than starting with either of these collections. Though for sheer originality, I'd recommend Stone Mattress in a heartbeat
After more than 50 books and decades in the literary limelight, Atwood can still surprise with the explosive originality of her ideas; her writing always fresh and alive . A darkly irresistible read
Nine Tales, the subtitle of this collection of short stories, references that dreaded implement of torture, the cat o' nine tails, which lacerates the skin with its cotton cords. Metaphorically, that is exactly how Stone Mattress works - each tale, told with Atwood's exquisite economy of style, cuts deep
Realism and ridiculousness, play and deadly seriousness, are held in fine balance throughout . This long view throughout the collection is entirely unsparing, both of the vanished past and the vanishing present, but Atwood's prose is so sharp and sly that the effect is bracing rather than bleak
Atwood's take on subjects such as old age, disappointment and revenge are particularly engaging. These stories are often dark, funny and deadly serious . Atwood is at her best writing about death, a subject that comes and goes throughout these stories
Typically compelling. Full to brimming with a dust-dry wit and thrilling, punchline sentences, eclectic in its plots but enriched by overarching themes . With their crackling dialogue and skilful time-tumbles, these "tales" of cruelty and regret at beautifully rendered, funny and alive, unflinching in their portrayals of the ageing process and unexpectedly poignant
Rich in sly humour and pulpy thrills