Street Style: An Ethnography of Fashion Blogging: Dress, Body, Culture
Autor Brent Luvaasen Limba Engleză Paperback – 6 apr 2016
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 237.21 lei 6-8 săpt. | |
Bloomsbury Publishing – 6 apr 2016 | 237.21 lei 6-8 săpt. | |
Hardback (1) | 719.20 lei 6-8 săpt. | |
Bloomsbury Publishing – 6 apr 2016 | 719.20 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780857855756
ISBN-10: 0857855751
Pagini: 336
Ilustrații: 148 colour illus
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.68 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Dress, Body, Culture
Locul publicării:London, United Kingdom
ISBN-10: 0857855751
Pagini: 336
Ilustrații: 148 colour illus
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.68 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Dress, Body, Culture
Locul publicării:London, United Kingdom
Caracteristici
Includes a historical overview and a global range of contemporary examples
Notă biografică
Brent Luvaas is Associate Professor of Anthropology at Drexel University, USA
Cuprins
Introduction: Anthropology, Street Style1. On "The Street": A Conceptual History of Street Style Photography 2. Traveling the Street Style Blogosphere: Amateur Anthropology from Around the Globe3. Style Radar: On Becoming a Street Style Blogger and Knowing Whom to Shoot 4. The Subject(s) of Street Style: Street Portraits as Fashion Singularities5. The Business of Blogging: Free Labor, Freelancing, and Free Stuff6. Scene from the Sidewalk: Shooting Street Style at New York Fashion Week7. Conclusion: Straight Up, ReduxBibliographyIndex
Recenzii
Has street style enriched and democratized fashion or has the latter eaten the former for breakfast? Brent Luvaas' own take on street style gives a unique and much-needed perspective from which we can begin to see what is and what will happen to the presentation of the self in public.
Brent Luvaas is the first academic to show that street style photography is serious business. Style and sartorial expression are important parts of our visual culture, playing a huge role in building our identities, and communicating to others. Street Style is an intriguing study of how street style blogs have become an inseparable part of the fashion industry.
What I learned from [Street Style] has expanded the way I see fashion.
This refreshing and engaging book takes us on a journey from the novice street style photographer through to the established street style fashion blogger. It goes far beyond the superficial as Luvaas' auto-ethnographic account exposes the world of the fashion blogger with an anthropologist's insightful eye and art of story-telling.
In this book, Luvaas treats us to an array of beautiful street style photographs. But he does so within a theoretically and methodologically sophisticated analysis of street style in its historical and transnational contexts. He also offers us access to his own subjectivity and sense of "style radar" as a street style photographer and blogger. His self-reflexive awareness of the still-primarily masculinized space of the urban flâneur contributes to the power of this book to unlock binary oppositions between insider versus outsider, amateur versus professional, and street style versus street fashion.
Brent Luvaas is the first academic to show that street style photography is serious business. Style and sartorial expression are important parts of our visual culture, playing a huge role in building our identities, and communicating to others. Street Style is an intriguing study of how street style blogs have become an inseparable part of the fashion industry.
What I learned from [Street Style] has expanded the way I see fashion.
This refreshing and engaging book takes us on a journey from the novice street style photographer through to the established street style fashion blogger. It goes far beyond the superficial as Luvaas' auto-ethnographic account exposes the world of the fashion blogger with an anthropologist's insightful eye and art of story-telling.
In this book, Luvaas treats us to an array of beautiful street style photographs. But he does so within a theoretically and methodologically sophisticated analysis of street style in its historical and transnational contexts. He also offers us access to his own subjectivity and sense of "style radar" as a street style photographer and blogger. His self-reflexive awareness of the still-primarily masculinized space of the urban flâneur contributes to the power of this book to unlock binary oppositions between insider versus outsider, amateur versus professional, and street style versus street fashion.