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Quilting: The Fabric of Everyday Life: Dress, Body, Culture

Autor Marybeth C. Stalp
en Limba Engleză Paperback – 30 noi 2007
Quilting, once regarded as a traditional craft, has broken through the barriers of history, art and commerce to become a global phenomenon, international multi-billion dollar industry and means of gendered cultural production. In Quilting, sociologist and quilter Marybeth C. Stalp explores how and why women quilt.This close ethnographic study illustrates that women's lives can be transformed in often surprising ways by the activity and art of quilting. Some women who quilt as a leisure pastime are too afraid to admit to being a quilter for fear of ridicule; others boldly identify themselves as quilters and regard it as part of their everyday lives.The place of quilting in women's lives affects core family and personal identity issues such as marriage, childcare, friendship and aging. The book's accessible and intimate portrayal of real quilters' lives provides a fabric for the sociology, anthropology and textile student to understand more about wider issues of cultural production and identity that stem from this very personal pastime.
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Specificații

ISBN-13: 9781845206550
ISBN-10: 184520655X
Pagini: 168
Ilustrații: 50 b&w illustrations, biblio, index
Dimensiuni: 172 x 244 x 14 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Seria Dress, Body, Culture

Locul publicării:London, United Kingdom

Caracteristici

Also available in hardback, 9781845206543 £55.00 (December, 2007)

Notă biografică

Marybeth C. Stalp is Assistant Professor of Sociology at the University of Northern Iowa.

Cuprins

Chapter I: Introduction: Why Quilting?Why Quilts Matter... The (Recent) Global Quilting PhenomenonWhat is a Quilt, Anyway?Cultural Production in the Economic SphereThe Sociology of Culture and the Culture of Non-Economic Cultural ProductionChapter II: Tripping through the Tulips: Doing Research Close to HomeUsing Feminist Methods to Study Contemporary U.S. QuiltersLocal Knowledge and Grounded TheoryMethods and DataWhen Quilting is Enough: Immediate Commonalities through QuiltingPiecing Together My Personal and Professional SelvesGendered Assumptions about Quilting and FieldworkHow Long Did it Take You to Make That Quilt?How Many Quilts Have You Made?Revealing My Quilting and My SelfWhen Quilting is Not Enough: Tripping through the Tulips of an Academic Career Chapter III: It's Not Just for Grannies Anymore: Learning to Quilt at MidlifeLearning to Quilt as an Adult, and Not on your Mother's KneeQuilting HeritageThe Skipped Generation of QuiltersNew QuiltersMidlife Women and QuiltingSubjective CareersLearning to Quilt at MidlifeBecoming a Self-Identified QuilterAffirming a Subjective Career in QuiltingQuilting as Identity WorkExtending the Self: Quilts as Finished ProductsChapter IV: The Guilty Pleasures of the Fabric StashQuilting and Fabric CollectingStarting a Fabric CollectionStashing FabricThe Stigmatized Stash and Hiding One's Quilting IdentityQuilters' Families as Greedy InstitutionsCan The Fabric Stash Ever Come Out of the Closet?Chapter V: Quilt Rhymes with Guilt: Finding the Time & Space to QuiltQuilting SeriouslyNot Enough TimeNot Enough SpaceNot Having SpaceRhymes with Guilt: Finding the Time to QuiltFinally! Negotiating a Room of One's OwnFrom a Room of One's Own to a Life of One's Own?Chapter VI: Coming out of the Closet: Quilting is for Self and for OthersQuilting as Carework for Self Quilting as Carework for OthersBookmarking Life Through QuiltingSelf, Space and SanityChapter VII: Piecing it All TogetherWhat's So Important About Quilting?Leisure, Carework and the FamilyDeveloping a Midlife Identity through QuiltingQuilting and Other Creative Processes and ProductsQuilting as Gendered Non-Economic Cultural Production