Surrealism and Cinema
Autor Michael Richardsonen Limba Engleză Paperback – 28 feb 2006
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 190.74 lei 6-8 săpt. | |
Bloomsbury Publishing – 28 feb 2006 | 190.74 lei 6-8 săpt. | |
Hardback (1) | 712.86 lei 6-8 săpt. | |
Bloomsbury Publishing – 28 feb 2006 | 712.86 lei 6-8 săpt. |
Preț: 190.74 lei
Preț vechi: 249.20 lei
-23% Nou
Puncte Express: 286
Preț estimativ în valută:
36.52€ • 37.96$ • 30.28£
36.52€ • 37.96$ • 30.28£
Carte tipărită la comandă
Livrare economică 05-19 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781845202262
ISBN-10: 1845202260
Pagini: 208
Ilustrații: bibliography, index
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Locul publicării:London, United Kingdom
ISBN-10: 1845202260
Pagini: 208
Ilustrații: bibliography, index
Dimensiuni: 156 x 234 x 11 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Locul publicării:London, United Kingdom
Caracteristici
Also available in hardback, 9781845202255 £50.00 (March, 2006)
Notă biografică
Michael Richardson has published widely on surrealism, having edited two volumes of surrealist stories, The Identity of Things and The Myth of the World, a collection of Georges Bataille's writings on surrealism, The Absence of Myth, and a collection of writings by Caribbean surrealist writers, Refusal of the Shadow. He is currently visiting professor at Waseda University, Tokyo.
Cuprins
Introduction: Surrealist film theory and practice1. Surrealism and Popular Culture2. Luis Buuel and the Snares of Desire3. Jacques Prvert and the Poetry of the Eventual4. Surrealism and Hollywood5. Surrealism and the Documentary6. Nelly Kaplan and Sexual Revenge7. Walerian Borowczyk and the Touch of Desire8. Jan vankmajer and the Life of Objects9. Panique: A Ceremony Beyond the Absurd10. The Baroque Heresy of Ral Ruiz11. Surrealism and Contemporary Cinema
Recenzii
I so enjoyed reading this book! Its arguments about surrealism and film are lucid and persuasive and presented with compelling clarity. I couldn't put it down.
There is nothing that would compel one to not recommend this intelligent and fiercely radical study of Surrealism and cinema, which ranges further in its scope, is more up-to-date, and is more thorough in its investigation than any other.
Richardson begins where most other commentators leave off.
This expansive study contributes to maintaining a notion of what surrealism within cinema might be without restricting it to a set of rules or conditions.
There is nothing that would compel one to not recommend this intelligent and fiercely radical study of Surrealism and cinema, which ranges further in its scope, is more up-to-date, and is more thorough in its investigation than any other.
Richardson begins where most other commentators leave off.
This expansive study contributes to maintaining a notion of what surrealism within cinema might be without restricting it to a set of rules or conditions.