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Textiles, Community and Controversy: The Knitting Map

Editat de Jools Gilson, Nicola Moffat
en Limba Engleză Paperback – 23 ian 2019
Taking a major textile artwork, The Knitting Map, as a central case study, this book interrogates the social, philosophical and critical issues surrounding contemporary textile art today. It explores gestures of community and controversy manifest in contemporary textile art practices, as both process and object. Created by more than 2,000 knitters from 22 different countries, who were mostly working-class women, The Knitting Map became the subject of national controversy in Ireland. Exploring the creation of this multi-modal artwork as a key moment in Irish art history, Textiles, Community and Controversy locates the work within a context of feminist arts practice, including the work of Judy Chicago, Faith Ringold and the Guerilla Girls.Bringing together leading art critics and textile scholars, including Lucy Lippard, Jessica Hemmings and Joanne Turney, the collection explores key issues in textile practice from gender, class and nation to technology and performance.
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Specificații

ISBN-13: 9781350027527
ISBN-10: 1350027529
Pagini: 240
Ilustrații: 60 colour illus
Dimensiuni: 189 x 246 x 17 mm
Greutate: 0.86 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom

Caracteristici

Introduces the Knitting Map as a key moment in Irish art history, and as a complex case study designed for teaching third and fourth level fine art and textile students, textile art researchers, and textile artists about broader issues relating to feminism, community and textile practice

Notă biografică

Jools Gilson is Professor of Creative Practice at University College Cork, Ireland. She is a transdisciplinary artist and award-winning radio broadcaster. She directed the textile art project The Knitting Map from 2003-2005, and has written and presented on the work internationally. Nicola Moffat is an independent scholar, poet and artist who lives and practises in Cork, Ireland. She has published articles in several journals and edited collections, and her poetry has appeared in magazines and anthologies. She is a regular contributor to Ó Bheál, Cork's longest running open mic night and to events organised in support of Fired! Irish Women Poets.

Cuprins

IntroductionNicola MoffatChapter 1 - Navigation, nuance and half/angel's Knitting MapJools GilsonChapter 2 - The entangled map and Irish ArtFionna BarberChapter 3 - The Knitting Map and the mediaRachel AndrewsChapter 4 - Busywork: The real thingLucy R. LippardChapter 5 - The edge of the MapNicola MoffatChapter 6 - Knitting after making: What we do with what we makeJessica HemmingsChapter 7 - Textures of performance: Rethinking The Knitting MapRóisín O'GormanChapter 8 - Whereabouts uncertain: Reading subversion in half/angel's The Knitting Map in Cork, Ireland and Lancaster County, PennsylvaniaDeborah BarkunChapter 9 - On seeing, stillBernadette SweeneyChapter 10 - The voices of Cork: Cartography, landscape and memory in The Knitting MapKieran McCarthyChapter 11 - Puns and needles: Reactions to The Knitting Map in 2005Sarah FosterChapter 12 - Stitched up?: The Knitting Map in contextJoanne TurneyChapter 13 - Alchemy for beginners: The Knitting Map and other primesRichard PovellAfterwordJools GilsonEndnotesReferencesIndexAbout the authorsContributors

Recenzii

This is a solid, convincing example of the theoretical possibilities generated by a collaborative, disputed, ambitious art project.