The Borderlands of Culture – Americo Paredes and the Transnational Imaginary: New Americanists
Autor Ramón Saldívaren Limba Engleză Paperback – 3 apr 2006
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Specificații
ISBN-13: 9780822337898
ISBN-10: 0822337894
Pagini: 536
Ilustrații: 33 illustrations
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.77 kg
Editura: MD – Duke University Press
Seria New Americanists
Locul publicării:United States
ISBN-10: 0822337894
Pagini: 536
Ilustrații: 33 illustrations
Dimensiuni: 156 x 235 x 15 mm
Greutate: 0.77 kg
Editura: MD – Duke University Press
Seria New Americanists
Locul publicării:United States
Recenzii
"A major work of literary and cultural criticism, The Borderlands of Culture weaves together an insightful and thorough study of Americo Paredes's career with sustained reflections on the larger lessons and contemporary contexts of his writing. This is an original, wide-ranging, and provocative piece of scholarship by one of the profession's leading scholars of transnational literature."--Gustavo Perez Firmat, Columbia University "This is a magnificent book. Ramon Saldivar situates Americo Paredes as the founder of an aesthetic and an epistemology for the world at large by those who dwell in the borders--not just the borders between Mexico and the United States but the borders of Western imperialisms. His years of research, personal acquaintance with Paredes, and passionate scholarship have produced a work of lasting value and one that will no doubt become a canonical volume of Latino/a scholarship."--Walter D. Mignolo, author of Local Histories/Global Designs
Notă biografică
Ramon Saldivar is Professor of English and Comparative Literature, Chair of the Department of English, and the Hoagland Family Professor of Humanities and Sciences at Stanford University. He is the author of "Figural Language in the Novel: The Flowers of Speech from Cervantes to Joyce" and "Chicano Narrative: The Dialectics of Difference."
Textul de pe ultima copertă
"This is a magnificent book. Ramon Saldivar situates Americo Paredes as the founder of an aesthetic and an epistemology for the world at large by those who dwell in the borders--not just the borders between Mexico and the United States but the borders of Western imperialisms. His years of research, personal acquaintance with Paredes, and passionate scholarship have produced a work of lasting value and one that will no doubt become a canonical volume of Latino/a scholarship."--Walter D. Mignolo, author of "Local Histories/Global Designs"
Cuprins
Acknowledgments ix
Introduction: In Memoriam 3
Part I. History and Remembrance as Social Aesthetics
1. “The Memory Is All That Matters” 23
2. A Life in the Borderlands 64
Part II. Fictions of the Transnational Imaginary
3. The Checkerboard of Consciousness in George Washington Gómez 145
4. Transnational Modernisms: Paredes, Roosevelt, Rockwell, Bulosan, and the Four Freedoms 190
5. Paredes and the Modernist Vernacular Intellectuals: George I. Sánchez and Emma Tenayuca 226
6. The Borders of Modernity 241
7. Bilingual Aesthetics and the Law of the Heart 264
8. Border Subjects and Transnational Sites: The Hammon and the Beans and Other Stories 289
9. Narrative and the Idioms of Race, Nation, and Identity 318
10. The Postwar Borderlands and the Origins of the Transnational Imaginary: The Occupation-Era Writings in Pacific Stars and Stripes and El Universal 344
11. The Shadow and the Imaginary Functioning of Institutions 395
Conclusion: A Transsentimental Journey 432
Notes 439
Works Cited 477
Index 503
Introduction: In Memoriam 3
Part I. History and Remembrance as Social Aesthetics
1. “The Memory Is All That Matters” 23
2. A Life in the Borderlands 64
Part II. Fictions of the Transnational Imaginary
3. The Checkerboard of Consciousness in George Washington Gómez 145
4. Transnational Modernisms: Paredes, Roosevelt, Rockwell, Bulosan, and the Four Freedoms 190
5. Paredes and the Modernist Vernacular Intellectuals: George I. Sánchez and Emma Tenayuca 226
6. The Borders of Modernity 241
7. Bilingual Aesthetics and the Law of the Heart 264
8. Border Subjects and Transnational Sites: The Hammon and the Beans and Other Stories 289
9. Narrative and the Idioms of Race, Nation, and Identity 318
10. The Postwar Borderlands and the Origins of the Transnational Imaginary: The Occupation-Era Writings in Pacific Stars and Stripes and El Universal 344
11. The Shadow and the Imaginary Functioning of Institutions 395
Conclusion: A Transsentimental Journey 432
Notes 439
Works Cited 477
Index 503