The Cane: Modern Plays
Autor Mark Ravenhillen Limba Engleză Paperback – 5 dec 2018
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (2) | 78.19 lei 6-8 săpt. | |
Bloomsbury Publishing – 5 dec 2018 | 78.19 lei 6-8 săpt. | |
Samuel French Ltd – 2 aug 2024 | 139.43 lei 39-44 zile |
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Specificații
ISBN-13: 9781350108806
ISBN-10: 1350108804
Pagini: 96
Dimensiuni: 129 x 198 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350108804
Pagini: 96
Dimensiuni: 129 x 198 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
The Cane is Ravenhill's first new play for a number of years. This edition coincides with the world premiere at the Royal Court Theatre from 6 December 2018 to 26 January 2019.
Notă biografică
Mark Ravenhill is one of the most distinctive contemporary UK playwrights. He burst on to the theatre scene in 1996 with the huge hit Shopping and Fucking. He has continued to garner critical acclaim for plays that include Some Explicit Polaroids, Mother Clap's Molly House, Shoot/Get Treasure/Repeat, The Cut, Product, pool (no water), Citizenship, Ten Plagues, The Coronation of Poppea, Candide, Faust is Dead, Handbag, A Life in Three Acts, A Life of Galileo and Over There.
Recenzii
Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation
There are few stage authors writing more interestingly than Mark Ravenhill ... He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism.
Ravenhill is one of the most arresting talents to have arrived in the British theatre during the 1990s
There are few stage authors writing more interestingly than Mark Ravenhill ... He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism.
Ravenhill is one of the most arresting talents to have arrived in the British theatre during the 1990s