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The Film Cheat: Screen Artifice and Viewing Pleasure

Autor Professor Murray Pomerance
en Limba Engleză Paperback – 14 oct 2020
Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to "suspend" or "disconnect" it in order to allow for the entertainment of the fiction in its own terms.The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin' in the Rain and Chinatown, to more contemporary films like The Revenant and Baby Driver, with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic.Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema.
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Specificații

ISBN-13: 9781501364983
ISBN-10: 1501364987
Pagini: 384
Ilustrații: 48 bw illus
Dimensiuni: 152 x 229 x 29 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Author is known as "the inimitable lyric poet of cinema scholars" and "one of the most compelling writers on cinema in the contemporary field"

Notă biografică

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actor's Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016).

Cuprins

Preamble: The Viewer as "Mark"Of Scripts1. Yesterdays2. Tomorrow and Tomorrow and Tomorrow3. Narrative Transparency4. The Cheating Cut5. Narrative Opacity6. The Narrator Hides7. Taxi Cheat8. And Here Endeth my Tale9. Only Pretending10. Keeping MinutesOf Performing11. Monster!12. A Star, Not a Star13. Pain14. Measuring Up15. Privacy16. Signed17. Keyed Up18. Don't Believe It19. "I Love You"20. SurrenderOf Cameras21. Corral22. Show Me23. On the Road24. "Good Cinematography"25. "Look at the Picture"26. Peek-a-Boo27. Moving On28. Behind the Camera Behind29. All the Way Not to HollandOf Scenes30. No There There31. Where are We?32. Walk on the Wild Side33. Happy Trails34. The Thing35. Heist36. The Reality Effect37. Stand-ins38. A Superheroic UniverseOf Cuts39. Believe in Me40. Over Thames41. Something is Happening42. Veni creator spiritus43. "Bite the Dust"44. Reflect on That45. Presence and Presentation46. By Contrast47. The Blood Effect48. Our Cheating Heart: Not an IntroductionBibliographyIndex

Recenzii

More Sprezzatura theorizing from one of the most exciting and iconoclastic film scholars writing today. A thoroughly original focus on a topic that, previously undiscussed, is revealed as incredibly significant to the realism debate in media studies more generally, once Pomerance identifies it.