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The Master and Margarita

Autor Mikhail Bulgakov Traducere de Diana Burgin, Katherine Tiernan O'Connor
en Limba Engleză Paperback – 28 sep 2021
The acclaimed, bestselling translation of Mikhail Bulgakov's masterwork, an undisputed classic of Russian and world literature
An audacious revision of the stories of Faust and Pontius Pilate, The Master and Margarita is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech. Now The Overlook Press is reissuing this acclaimed translation in an all-new package. One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing to literally go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances splendidly emerge in Diana Burgin's and Katherine Tiernan O'Connor's superb English translation, with an afterword and extensive commentary by Ellendea Proffer.
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Specificații

ISBN-13: 9781419756504
ISBN-10: 1419756508
Pagini: 432
Dimensiuni: 136 x 207 x 33 mm
Greutate: 0.43 kg
Editura: Overlook Press

Descriere

Descriere de la o altă ediție sau format:
"I fell in love with it. . . . I reread it often . . . for me it's one of those magical books that hits you with something new every time." —Tea Obreht, author of The Tiger's Wife

Suppressed in the Soviet Union for twenty-six years, Mikhail Bulgakov's masterpiece is an ironic parable of power and its corruption, good and evil, and human frailty and the strength of love. Featuring Satan, accompanied by a retinue that includes the large, fast-talking, vodka drinking black tom cat Behemoth, the beautiful Margarita, her beloved—a distraught writer known only as the Master—Pontius Pilate, and Jesus Christ, The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy into a wildly entertaining and unforgettable tale that is commonly considered one of the greatest novels ever to come out of the Soviet Union.

Notă biografică

Mikhail Bulgakov (Author)
Mikhail Bulgakov was born in Kiev in May 1891. His sympathetic portrayal of White characters in his stories, in the plays The Days of the Turbins (The White Guard), which enjoyed great success at the Moscow Arts Theatre in 1926, and Flight (1927), and his satirical treatment of the officials of the New Economic Plan, led to growing criticism, which became violent after the play The Purple Island. He also wrote a brilliant biography of his literary hero, Jean-Baptiste Molière, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.

Larissa Volokhonsky (Translator)
Larissa Volokhonsky, along with her husband Richard Pevear, has translated works by Tolstoy, Dostoevsky, Chekhov, Gogol, Bulgakov and Pasternak. They both were twice awarded the PEN/Book-of-the-Month Club Translation Prize (for Dostoevsky'sThe Brothers Karamazovand Tolstoy'sAnna Karenina). They are married and live in France.

Richard Pevear (Translator)
Richard Pevear, along with his wife Larissa Volokhonsky, has translated works by Tolstoy, Dostoevsky, Chekhov, Gogol, Bulgakov and Pasternak. They both were twice awarded the PEN/Book-of-the-Month Club Translation Prize (for Dostoevsky'sThe Brothers Karamazovand Tolstoy'sAnna Karenina). They are married and live in France.


Cuprins

The Master and Margarita Introduction
A Note on the Text and Acknowledgments
Further Reading
BOOK ONE
1. Never Talk with Strangers
2. Pontius Pilate
3. The Seventh Proof
4. The Chase
5. There were Doings at Griboedov's
6. Schizophrenia, as was Said
7. A Naughty Apartment
8. The Combat between the Professor and the Poet
9. Koroviev's Stunts
10. News from Yalta
11. Ivan Splits in Two
12. Black Magic and Its Exposure
13. The Hero Enters
14. Glory to the Cock!
15. Nikanor Ivanovich's Dream
16. The Execution
17. An Unquiet Day
18. Hapless Visitors

BOOK TWO
19. Margarita
20. Azazello's Dream
21. Flight
22. By Candlelight
23. The Great Ball at Satan's
24. The Extraction of the Master
25. How the Procurator Tried to Save Judas of Kiriath
26. The Burial
27. The End of Apartment No. 50
28. The Last Adventures of Koroviev and Behemoth
29. The Fate of the Master and Margarita is Decided
30. It's Time! It's Time!
31. On Sparrow Hills
32. Forgiveness and Eternal Refuge
Epilogue
Notes


Recenzii


“A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News

“This dark, absurd, and subversive treasure lay hidden for many years, even after Bulgakov’s death, such was the fear of reprisal for such a pointed, authentic stab at life under the tyrannical malevolence of Uncle Joe and the withering Soviet climate of the time.” —Johnny Depp, “My Essentials” in Entertainment Weekly’s “Best of the Decade” issue (December 11, 2009)

“Fine, funny, imaginative . . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek

“The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune

“Magnificent . . . a gloriously ironic gothic masterpiece . . . had me rapt with bliss.” —Patrick McGrath, Guardian (UK)

“Funny, devilish, brilliant satire . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly

“A rich, funny, moving and bitter novel . . . . Vast and boisterous entertainment.” —The New York Times

“A classic of twentieth-century fiction.” —The New York Times Book Review