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The Meaning of Form in Contemporary Innovative Poetry de Robert Sheppard

The Meaning of Form in Contemporary Innovative Poetry: Modern and Contemporary Poetry and Poetics

Autor Robert Sheppard
en Limba Engleză Hardback – 9 sep 2016
This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement. 
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Specificații

ISBN-13: 9783319340449
ISBN-10: 3319340441
Pagini: 253
Ilustrații: XI, 248 p. 2 illus.
Dimensiuni: 148 x 210 x 22 mm
Greutate: 0.45 kg
Ediția:1st ed. 2016
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Modern and Contemporary Poetry and Poetics

Locul publicării:Cham, Switzerland

Cuprins

Preface.- Introduction: Form, Forms and Forming.- 1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice.- 2.  Convention and Constraint: Form in the Innovative Sonnet Sequence.- 3. Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch.- 4. Meddling the Medieval: Caroline Bergvall and Erín Moure.- 5. Translation as Occupation: Simon Perril and Sean Bonney.- 6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose.- 7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed.- 8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry.- 9. The Making of the Book: Bill Griffiths and Allen Fisher.- 10. Geraldine Monk’s Poetics and Performance: Catching Form in the Act.- 11. Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs.- Notes.- Bibliography.- Index.

Recenzii

“The Meaning of Form is a noble and necessary part of the enterprise of taking us closer to the complex dynamics of the characteristics and operations of poetic form. … this book offers powerful smelling salts to jolt us back to a present of attentive concentration on form.” (Gareth Farmer, Journal of British and Irish Innovative Poetry, Vol. 10 (1), June, 2018)

Notă biografică

Robert Sheppard is Professor of Poetry and Poetics at Edge Hill University, UK, and a poet-critic. He is the author of History or Sleep: Selected Poems, The Poetry of Saying, a monograph on Iain Sinclair, and is the editor of an essay collection on Lee Harwood. 

Textul de pe ultima copertă

This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement. 

Caracteristici

Offers a rigorous reading and introduction to a range of formally innovative poetry in the contemporary North American and British context Considers innovative formal qualities in connection to a range of topics including translation, performance, and conceptual poetry Investigates the connections between formal experimentation and contemporary realities through readings of poets such as Veronica Forrest-Thomson, Kenneth Goldsmith, Rosemarie Waldrop and others.