The Merchant of Venice: A Critical Reader: Arden Early Modern Drama Guides
Editat de Sarah Hatchuel, Dr Nathalie Vienne-Guerrin Dr Andrew Hiscock, Professor Lisa Hopkinsen Limba Engleză Hardback – 14 oct 2020
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Specificații
ISBN-13: 9781350082298
ISBN-10: 1350082295
Pagini: 320
Dimensiuni: 129 x 198 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Early Modern Drama Guides
Locul publicării:London, United Kingdom
ISBN-10: 1350082295
Pagini: 320
Dimensiuni: 129 x 198 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Early Modern Drama Guides
Locul publicării:London, United Kingdom
Caracteristici
The guide offers critical, web-based and production-related resources, an annotated bibliography, and suggests helpful teaching strategies for instructors teaching the play
Notă biografică
Sarah Hatchuel is Professor in Film & Media Studies at the university Paul-Valéry Montpellier 3, France, and former President of the Société Française Shakespeare.Nathalie Vienne-Guerrin is Professor in Shakespeare studies at the University Paul-Valéry Montpellier 3, France, former Vice President of the Société Française Shakespeare and director of the 'Institut de Recherche sur la Renaissance, l'âge Classique et les Lumières'.
Cuprins
Series Introduction The Merchant of Venice Timeline, by S. Hatchuel (University Paul-Valéry Montpellier 3, France) and N. Vienne-Guerrin (University Paul-Valéry Montpellier 3, France)Introduction: The Merchant of Venice: the unruly play, by S. Hatchuel and N. Vienne-Guerrin The Critical Backstory, by John Drakakis (University of Sterling, UK)Performance History, by Jay Halio (University of Delaware, USA)The State of the Art, by Shaul Bassi (Università Ca'Foscari Venezia, Italy)New Directions:New Direction 1: "Affections dark as Erebus" - religion, gender, and the passions in The Merchant of Venice, by Sabine Schülting (Freie Universität Berlin, Germany)New Direction 2: "The moon shines bright": re-viewing the Belmont mythological tapestry in Act 5 of The Merchant of Venice, by Janice Valls-Russell (CNRS, Université Paul-Valéry Montpellier 3, France)New Direction 3: "That ugly treason of mistrust": rhetoric of credit and the credit of rhetoric in The Merchant of Venice, by Gary Watt (University of Warwick, UK)New Direction 4: Screening The Merchant of Venice, by Douglas M. Lanier (University of New Hampshire, USA)Learning and teaching Resources, by Lieke Stelling (University of Utrecht, Netherlands)Notes on ContributorsIndex
Recenzii
A varied and engaging set of essays including the encyclopaedically factual and the daringly interpretative.