The Nature and Art of Workmanship
Autor David Pyeen Limba Engleză Paperback – 20 sep 1978
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Cambridge University Press – 20 sep 1978 | 300.73 lei 6-8 săpt. | |
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Specificații
ISBN-13: 9780521293563
ISBN-10: 0521293561
Pagini: 144
Ilustrații: black & white illustrations
Dimensiuni: 170 x 244 x 8 mm
Greutate: 0.24 kg
Ediția:Revised
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
ISBN-10: 0521293561
Pagini: 144
Ilustrații: black & white illustrations
Dimensiuni: 170 x 244 x 8 mm
Greutate: 0.24 kg
Ediția:Revised
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom
Cuprins
Plates; Acknowledgements; Preface; 1. Design proposes, workmanship disposes; 2. The workmanship of risk and the workmanship of certainty; 3. Is anything done by hand?; 4. Quality in workmanship; 5. The designer's power to communicate his intentions; 6. The natural order reflected in the work of man; 7. Diversity; 8. Durability; 9. Equivocality; 10. Critique of 'On the nature of Gothic'; 11. The aesthetic importance of workmanship, and its future; 12. Commentary on the plates; Index.
Descriere
This 1968 book looks at the aesthetic quality of our environment and shows shows how and why we are conscious of finish and workmanship.
Caracteristici
Pye's
ideas
about
the
importance
of
skill
in
making
are
highly
topical
in
terms
of
current
debates
about
craft
practice
in
an
age
of
mass
and
digital
production.
Notă biografică
David Pye OBE (1914-1993), was Professor of Furniture Design at The Royal College of Art from 1964 to1974. Pye was an accomplished wood-turner and carver, as well as an important writer on the theory of design and handcraft. 'The Nature and Aesthetics of Design', first published in 1964, and 'The Nature and Art of Workmanship', first published in 1968, were both hugely influential for the development of craft studies and design history.
Ezra Shales is Associate Professor at Massachusetts College of Art and Design, and the author of Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era (Rutgers University Press, 2010).