The New York Stories of Elizabeth Hardwick: New York Review Books Classics
Autor Elizabeth Hardwicken Limba Engleză Paperback – 21 iul 2010
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Specificații
ISBN-13: 9781590172872
ISBN-10: 1590172876
Pagini: 224
Dimensiuni: 130 x 203 x 15 mm
Greutate: 0.25 kg
Ediția:Main.
Editura: NEW YORK REVIEW OF BOOKS
Seria New York Review Books Classics
ISBN-10: 1590172876
Pagini: 224
Dimensiuni: 130 x 203 x 15 mm
Greutate: 0.25 kg
Ediția:Main.
Editura: NEW YORK REVIEW OF BOOKS
Seria New York Review Books Classics
Notă biografică
Elizabeth Hardwick (1916–2007) was born in Lexington, Kentucky, and educated at the University of
Kentucky and Columbia University. A recipient of a Gold Medal from the American Academy of Arts and Letters, she is the author of three novels, a biography of Herman Melville, and four collections of essays. She was a cofounder and advisory editor of The New York Review of Books and contributed more than one hundred reviews, articles, reflections, and letters to the magazine. NYRB Classics publishes Sleepless Nights, a novel, and Seduction and Betrayal, a study of women in literature.
Darryl Pinckney is the author of a novel, High Cotton, and, in the Alain Locke Lecture Series, Out There: Mavericks of Black Literature.
Kentucky and Columbia University. A recipient of a Gold Medal from the American Academy of Arts and Letters, she is the author of three novels, a biography of Herman Melville, and four collections of essays. She was a cofounder and advisory editor of The New York Review of Books and contributed more than one hundred reviews, articles, reflections, and letters to the magazine. NYRB Classics publishes Sleepless Nights, a novel, and Seduction and Betrayal, a study of women in literature.
Darryl Pinckney is the author of a novel, High Cotton, and, in the Alain Locke Lecture Series, Out There: Mavericks of Black Literature.
Recenzii
“Hardwick wrote when she had something to say, and she took her time; the impression of ease is owing strictly to her style. Not a poet, she produced a poet’s prose…” –The Guardian (London)
“An odd, original talent, Elizabeth Hardwick writes with a tremendous subtlety and a fine drawn sensibility of common frailties.” —Kirkus Reviews
“Nobody writing prose now gives me as much pleasure as Elizabeth Hardwick. She honors our language and enlivens our woe.” —Susan Sontag
“Hardwick is, characteristically without ostentation or polemics, a gifted miniaturist biographer.” —Joyce Carol Oates
"Elizabeth Hardwick died in 2007, but her influence can still be felt in any writer who knows that a story or essay’s tone is based as much on a word’s weight, and the rhythm of a paragraph, as it is on thesis and intention....In the novelist and critic Darryl Pinckney, Hardwick has a brilliant champion. He has gathered together the best of Hardwick’s short fiction in The New York Stories of Elizabeth Hardwick, and, in his powerful and insightful introduction, he expresses something of the charm of the woman—and her great struggles to produce stories that reflected her unique process of intellection, her engagement in the world of ideas. " — Hilton Als, The New Yorker
“An odd, original talent, Elizabeth Hardwick writes with a tremendous subtlety and a fine drawn sensibility of common frailties.” —Kirkus Reviews
“Nobody writing prose now gives me as much pleasure as Elizabeth Hardwick. She honors our language and enlivens our woe.” —Susan Sontag
“Hardwick is, characteristically without ostentation or polemics, a gifted miniaturist biographer.” —Joyce Carol Oates
"Elizabeth Hardwick died in 2007, but her influence can still be felt in any writer who knows that a story or essay’s tone is based as much on a word’s weight, and the rhythm of a paragraph, as it is on thesis and intention....In the novelist and critic Darryl Pinckney, Hardwick has a brilliant champion. He has gathered together the best of Hardwick’s short fiction in The New York Stories of Elizabeth Hardwick, and, in his powerful and insightful introduction, he expresses something of the charm of the woman—and her great struggles to produce stories that reflected her unique process of intellection, her engagement in the world of ideas. " — Hilton Als, The New Yorker