The Orchestration of the Arts — A Creative Symbiosis of Existential Powers: The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch: Analecta Husserliana, cartea 63
Editat de M. Kroneggeren Limba Engleză Hardback – 30 iun 2000
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Specificații
ISBN-13: 9780792360087
ISBN-10: 0792360087
Pagini: 476
Ilustrații: XIV, 476 p.
Dimensiuni: 155 x 235 x 27 mm
Greutate: 0.87 kg
Ediția:2000
Editura: SPRINGER NETHERLANDS
Colecția Springer
Seria Analecta Husserliana
Locul publicării:Dordrecht, Netherlands
ISBN-10: 0792360087
Pagini: 476
Ilustrații: XIV, 476 p.
Dimensiuni: 155 x 235 x 27 mm
Greutate: 0.87 kg
Ediția:2000
Editura: SPRINGER NETHERLANDS
Colecția Springer
Seria Analecta Husserliana
Locul publicării:Dordrecht, Netherlands
Public țintă
ResearchCuprins
Section One Music, Literature, History, Architecture, Staging, Painting, Decoration: Within a Symphony of the Arts.- Paradox and Metaphor: An Integrity of the Arts.- Aesthetic Symbiosis and Spiritual Quest: Grünewald’s Isenheim Altarpiece in Hindemith’s Opera Mathis der Maler.- The Ambiguity of Baroque Enchantment: Operatic Mise en Abyme.- The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical Form.- Calderón’s Dramatic Technique: The Orchestration of the Arts, From Drama to Opera.- Baroque Splendor: Vierzehnheiligen Church and Bach’s B-Minor Mass.- Section Two Sharing in Creative and Cosmic Synergies.- Orchestration of the Universe: Reflections on Tagore’s Creativity.- The Synergies of Mind and Muse: Reflections on Nineteenth-Century Thought and A Comparative Analysis of Dante Gabriel Rosetti’s Poem and Painting The Blessed Damozel and Claude Debussy’s La Demoiselle Elue.- The Interdependency of Literature, Architecture, Theater and Music as an Expression of Baroque Absolutism at the Hapsburg Court in Vienna.- Literature and Architecture as a Metaphor of “Grandeur” and “Decadence”.- Louis Sullivan: The Life-Enhancing Symbiosis of Music, Language, Architecture, and Ornament.- An Orchestration of the Arts in Wallace Stevens’ “Peter Quince at the Clavier”.- Section Three the Symbiosis and the Interaction of the Arts.- The Harmonic Conceit: Music, Nature and Mind in Wordworth’s Prelude.- Histoire de L’Aveugle: “Matiérisme”’s Critique of Vision.- Images of Water and the Sea in Tristan L’Hermite’s “La Mer” and in Painting.- Section Four Arts Interacting with Our Perception of Nature and Human Life.- Fire and Ice: Le Vrai Magique.- W. E. B. du Bois’ The Souls of Black Folk as an Example of theTragic.- The Blending of Natures and the Perception of the Real.- The Symbiosis and the Interaction of the Arts: Cesário Verde, Poet / Painter.- This is Mine, and I Can Hold It: Edna St. Vincent Millay and her Music.- Section Five The Poetic Inter-Reflection of the Arts.- The Terpsichorean Poem.- A Study in Nostalgia: The Orchestration of Life in Façade. The Edith Sitwell—William Walton Musico-Poetic Collaboration.- Interreflection of Complementary Expressive Means in Combined-Media Art Performances.- The Orchestration of the Arts in Leila Sebbar’s Shérazade, 17 ans, brune, frisée, les yeux verts.- Beauty and the Dialogue of the Arts: Considerations about Gadamer.- Section Six Arts Nurturing Human Culture.- A Look at Modernism from the Keyboard: The Piano in the Parlor and Abstract Art.- Pierre Puvis de Chavannes, Richard Wagner and Émile Bernard: Composition and Meaning in the Late Nineteenth Century.- The Temporal Character of Catherine Schieve’s Slide Opera.- An Unfolding of Theory and Practice: From Ingarden to a Phenomenological Aesthetic for Opera.- Emotion, Metaphor, Music, and Humor.- The Cultural Milieu of Francis Poulenc (1899–1963) and his “Musique de Tous les Jours” (including a brief survey of his works for piano).- Index of Names.