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The Oxford Shakespeare: Romeo and Juliet de William Shakespeare

The Oxford Shakespeare: Romeo and Juliet: The Oxford Shakespeare

Autor William Shakespeare Editat de Jill L. Levenson
en Limba Engleză Hardback – 15 mar 2000
This edition of one of Shakespeare's most popular and attractive plays adopts a radically new approach to the text. It offers modernized texts not only of the 1599 'good' quarto, but also of the short, or 'bad' quarto of 1597, regarding each as an independent witness to a 'mobile text' which changed in composition as Shakespeare wrote it and which has continued to evolve throughout its richly varied performance history, not only in the theatre but also in film, television, opera, and even ballet. The longer and more familiar text, first printed in 1599, is presented along with a detailed explanatory commentary sensitive to both literary and theatrical issues. The earlier, shorter text is annotated only where it differs significantly from the later. In addition to considering issues of performance, the Introduction traces the Romeo and Juliet narrative from its origins in myth through its adaptation in the novella, a form which changed the story in subtle ways as it crossed national boundaries from Italy to France to England. It shows how Shakespeare's transmutation of the story reflects contemporary concerns with love, death, adolescence, and patriarchism, and illuminates his artistic experimentations with poetry, style, rhetoric, and dramatic form.
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Specificații

ISBN-13: 9780198129370
ISBN-10: 0198129378
Pagini: 460
Ilustrații: 12 halftones
Dimensiuni: 146 x 224 x 29 mm
Greutate: 0.7 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria The Oxford Shakespeare

Locul publicării:Oxford, United Kingdom

Recenzii

many students will no doubt relish the fullness of Professor Levenson's notes. Indeed, they may often be particularly grateful for the care with which she directs readers to even fuller discussions to be found elsewhere
Professor Levenson provides an excellent and often very thought-provoking account of performance history, and many of her most interesting discussions and annotations relate to questions of staging, traditional, unusual, or possible
excellent decision to include the whole of the Q1 text as well as Q2

Notă biografică

Anthony Dawson is Professor Emeritus of English at the University of British Columbia in Vancouver. An editor, theatre historian, and literary critic, he has published widely on Shakespeare and the early modern theatre.Paul Yachnin is Tomlinson Professor of Shakespeare Studies and Chair of English at McGill University. In April 2008, he was elected President of the Shakespeare Association of America. He directs the Making Publics Project and co-directs the McGill Shakespeare and Performance Research Team. He is the founder of the McGill Institute for the Public Life of Arts and Ideas. He has undertaken editorial projects including the Oxford edition of The Works of Thomas Middleton and The Tempest (Broadview Press, forthcoming; with Brent Whitted). Recent books include Shakespeare and the Eighteenth Century, with Peter Sabor; Shakespeare and Character: Theory, History, Performance, and Theatrical Persons, with Jessica Slights; and Making Publics in Early Modern Europe: People, Things, Forms of Knowledge, with Bronwen Wilson.

Cuprins

List of illustrations; Introduction: Shakespeare's Garter Play: The occasion and the date of The Merry Wives of Windsor; Shakespeare's English Comedy: The substance and the dramatic structure of the play; Interpretations, critical and theatrical, of the play; The quarto and folio texts; Editorial procedures; Abbreviations and references; THE MERRY WIVES OF WINDSOR; Appendix A: The Textual Crux at 1.1.20-1; Appendix B: Evan's Song in Act 3, Scene 1; Appendix C: Falstaff's Disguise as Herne the Hunter; Appendix D: Alterations to Lineation of the Folio