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The Oxford Shakespeare: Troilus and Cressida: The Oxford Shakespeare

Autor William Shakespeare Editat de Kenneth Muir
en Limba Engleză Hardback – 30 sep 1982
Troilus and Cressida is perhaps Shakespeare's most philosophical play, and its preoccupation with war, sex, and time has seemed peculiarly relevant since the First World War. Fine productions have demonstrated the play's theatrical power, and critics have explored and illuminated its ideas and its exceptionally complex language. Kenneth Muir, in his introduction, sets the play in its historical context, discusses its odd career in the theatre, examines Shakespeare's handling of his multiple sources, and assesses the contribution of interpretative criticism to a deeper understanding of this sombre examination of a fallen world.
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Specificații

ISBN-13: 9780198129035
ISBN-10: 0198129033
Pagini: 214
Dimensiuni: 144 x 224 x 18 mm
Greutate: 0.39 kg
Editura: Clarendon Press
Colecția Clarendon Press
Seria The Oxford Shakespeare

Locul publicării:Oxford, United Kingdom

Recenzii

The Oxford Shakespeare is an admirably scholarly edition, immaculately presented, offering close attention to possibilities of staging as well as meaning.'Dr D. Sedge, Exeter University
'This edition offers the most substantial & one of the most penetrating discussions of the play to date. A remarkable scholarly achievement.'Dr René J.A. Weis, Department of English, University College, London
`The major strength of Professor Braunmuller's edition is its introduction. He offers a sane review of such difficult questions as the date of the play, and such controversial ones as its relation to "The Troublesome Reign". The evidence is marshalled in a lucid manner and sensible conclusions drawn ... This is a significant contribution to the (now quickly developing) debate on "King John", and a good demonstration that investigations of Shakespeare as a political dramatist (as opposed to a moral stage) need not be critically reductive.'The Review of English Studies
'By its 'conventionally ordered introduction' (p.1), A.R. Braunmuller's Oxford King John signals that it is, indeed what the dustjacket claims, 'the most thorough scholarly edition now available' ... his edition foregrounds technical material important to scholars over more general interests ... Braunmuller's approach to editing is as fair-minded and scholarly as his introduction ... the King John that sets out the issues most fully and fairly, the edition I want in my study, is Braunmuller's 'conventionally ordered', scholarly text.'Virginia Mason Vaughan, Clark University, Worcester, Massachusetts, Yearbook of English Studies, 1992

Notă biografică

Anthony Dawson is Professor Emeritus of English at the University of British Columbia in Vancouver. An editor, theatre historian, and literary critic, he has published widely on Shakespeare and the early modern theatre.Paul Yachnin is Tomlinson Professor of Shakespeare Studies and Chair of English at McGill University. In April 2008, he was elected President of the Shakespeare Association of America. He directs the Making Publics Project and co-directs the McGill Shakespeare and Performance Research Team. He is the founder of the McGill Institute for the Public Life of Arts and Ideas. He has undertaken editorial projects including the Oxford edition of The Works of Thomas Middleton and The Tempest (Broadview Press, forthcoming; with Brent Whitted). Recent books include Shakespeare and the Eighteenth Century, with Peter Sabor; Shakespeare and Character: Theory, History, Performance, and Theatrical Persons, with Jessica Slights; and Making Publics in Early Modern Europe: People, Things, Forms of Knowledge, with Bronwen Wilson.

Cuprins

List of illustrations; Introduction: Shakespeare's Garter Play: The occasion and the date of The Merry Wives of Windsor; Shakespeare's English Comedy: The substance and the dramatic structure of the play; Interpretations, critical and theatrical, of the play; The quarto and folio texts; Editorial procedures; Abbreviations and references; THE MERRY WIVES OF WINDSOR; Appendix A: The Textual Crux at 1.1.20-1; Appendix B: Evan's Song in Act 3, Scene 1; Appendix C: Falstaff's Disguise as Herne the Hunter; Appendix D: Alterations to Lineation of the Folio