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The Passport de Herta Muller

The Passport: Serpent's Tail Classics

Autor Herta Muller Traducere de Martin Chalmers
en Limba Engleză Paperback – 2 dec 2015
From the winner of the Nobel Prize for Literature 2009'Just as the father in the house in which we live is our father, so Comrade Nicolae Ceausescu is the father of our country. And just as the mother in the house in which we live is our mother, so Comrade Elena Ceausescu is the mother of our country. Comrade Nicolae Ceausescu is the father of our children. All the children love comrade Nicolae and comrade Elena, because they are their parents.'The Passport is a beautiful, haunting novel whose subject is a German village in Romania caught between the stifling hopelessness of Ceausescu's dictatorship and the glittering temptations of the West. Stories from the past are woven together with the problems Windisch, the village miller, faces after he applies for permission to migrate to West Germany. Herta Müller describes with poetic attention the dreams and superstitions, conflicts and oppression of a forgotten region, the Banat, in the Danube Plain. In sparse, lyrical language, Herta Müller captures the forlorn plight of a trapped people.This edition is translated by Martin Chalmers, with a new foreword by Paul Bailey.Also by Herta Müller: Nadirs, The Land of Green Plums, The Appointment, and The Hunger Angel.
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Specificații

ISBN-13: 9781781255278
ISBN-10: 178125527X
Pagini: 128
Dimensiuni: 128 x 196 x 14 mm
Greutate: 0.14 kg
Ediția:Main - Classic edition
Editura: Profile
Colecția Serpent's Tail
Seria Serpent's Tail Classics

Locul publicării:London, United Kingdom

Notă biografică

Herta Müller was born in Timis, Romania in 1953. A vocal member of the German minority, she was forced to leave the country in 1987, and moved to Berlin, where she still lives. In 2009 she won the Nobel Prize for Literature.

Recenzii

With the concentration of poetry and the frankness of prose, Müller depicts the language of the dispossessed
Appropriately on the side of underdogs from Ceausescu's dystopia to Ukrainian labour camps ... so opening the eyes of non-German readers to new worlds. And that, from Beowulf to Müller, is a noble as well as a Nobel function of literature
Especially now, 20 years after the fall of the Berlin Wall, it's a beautiful signal that such high quality literature and this life experience are being honoured
[Muller's] dark, closely observed and sometimes violent work often explores exile and the grim quotidian realities of life under Ceausescu... Her sensibility is often bleak, but the detail in her fiction can whip it alive
Graphically observed... forces the reader to confront the complex tapestry of Eastern European history in the late 20th Century. And although the author left Romania in the 1980s, she remains interested in the issues of oppression and exile, which makes her a universal writer
Müller is courageous and has summoned her surrealist imagination to brilliant effect when exposing the horrors of totalitarianism... The Passport, which was published in Berlin in 1986, months before she fled Romania, is an almost allegorical elegy of village life dominated by the need to escape.... Müller uses the quality of European folk tale to brilliant effect. Set in a German village in Romania where the people dream of a different life in the West, the story is true to any country in which fantasy is the only escape from oppression... Politics and truth-telling, the courage of the witness and the weight of the message often decides the Nobel Literature Prize; in Herta Müller all of these elements are present, yet so too is the artist as the lone voice beckoning, intent on telling a story, on shaping a word picture
Müller has an eye for the surreal detail of a police state and has made it into strong, muscular literature
Praise for The Passport: A phenomenal, moving and humbling novel, perhaps the most memorable read of the autumn
Herta Müller's language is the purest poetry. Every sentence has the rhythm of poetry, indeed is a poem or a painting
Herta Muller portrays a community that is breaking up, a dying village whose German inhabitants all seek to emigrate. At the centre stands the miller Windisch waiting for his passport. Bribing the mayor with sacks of flour proved in vain - so, now, in a rage of helpnessness, he has to allow his daughter to visit the militiaman and the priest, to search for passports and baptismal certificates in their beds. The dirty realities of a totalitarian state... a chilling, far-sighted and lyrical graveside speech for a sad village in a sad land
Praise for The Land of Green Plums: A novel of graphically observed detail in which the author seeks to create a sort of poetry out of the spiritual and material ugliness of life in Communist Romania
A powerful autobiographical account, The Land of Green Plums... will linger on in the mind
The Land of Green Plums is a miracle, a fearless human testimony which operates through the combined force of Müller's tight, understated eloquence
If W G Sebald's The Emigrants suggested there are still new ways of writing about exile and the Holocaust, The Land of Green Plums promises similar possibilities for the literature of the Iron Curtain
Praise for The Appointment: A brooding, fog-shrouded allegory of life under the long oppression of the regime of Nicolae Ceausescu
[The Appointment] Müller scatters narrative bombshells across a field of dreams
What heightens this bleak vision is her startling, hallucinatory use of metaphor and surreal imagery
At once spare and poetic, this novella-length tale nevertheless attains the epic ponderousness that defines recent Laureates
A swift, stinging narrative, fable-like in its stoic concision and painterly detail
Müller writes with elegant simplicity, in the great tradition of German storytelling - this would not look out of place in Hebel's The Treasure Chest.
Müller provides a master class in sparse, clear prose, and conveys the bleakness of humanity, with the occasional touch of dark, bitter magic - fully earning her Nobel Prize for literature this year... Often harrowing, startling, as devoid of decoration as the world she is describing, Müller's work demands to be read.
This short novel expands in the mind to occupy an emotional space far beyond its short length or the seeming simplicity of its story.
The Passport, the first of her novels to be translated into English, is a stunning introduction to her jewel-like prose, hard and clear as a diamond.
I am struck by her sparse yet poetic language...it reminds very much of our literature during apartheid, although this one is of a very high literary merit.