The Walk: Serpent's Tail Classics
Autor Robert Walseren Limba Engleză Paperback – mai 2013
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Specificații
ISBN-13: 9781846689581
ISBN-10: 1846689589
Pagini: 224
Dimensiuni: 128 x 196 x 18 mm
Greutate: 0.15 kg
Ediția:Main - Classic edition
Editura: Profile
Colecția Serpent's Tail
Seria Serpent's Tail Classics
Locul publicării:London, United Kingdom
ISBN-10: 1846689589
Pagini: 224
Dimensiuni: 128 x 196 x 18 mm
Greutate: 0.15 kg
Ediția:Main - Classic edition
Editura: Profile
Colecția Serpent's Tail
Seria Serpent's Tail Classics
Locul publicării:London, United Kingdom
Notă biografică
Robert Walser was born in Switzerland in 1878 and worked as a bank clerk before becoming a writer. In 1929 he started hearing voices, was diagnosed as schizophrenic and - like his contemporary Ezra Pound - lived the rest of his life in a psychiatric hospital, where he continued to write. His novels include Jakob von Gunten (published by Serpent's Tail as Institute Benjamenta - 9781852425050) and The Assistant. He died in 1956.
Recenzii
A clairvoyant of the small...Walser has been my constant companion
If he had hundred thousand readers, the world would be a better place
"Kleist in Thun" and "Helbling's Story" show him at his dazzling best
A truly wonderful, heartbreaking writer
An essential writer of our time
The future will see Walser as a true literary representative of our age
A major twentieth-century prose artist...he sounds like nobody else
A writer of considerable wit, talent and originality
His perception extended past sensory limits. He elevated the significance of the everyday
One of the greatest German-language writers of the twentieth century
Walser was one of those individuals who stand at a slight angle to the world: first impressions suggest words like quirky, or surreal. But, if anything, his art was a beautifully sane challenge to the systematic assault on the subjective and quotidian that was already grinding away when he entered the madhouse. In an age that found it possible to diagnose the inner life as a sticky mass of tics and neuroses, Walser became a polite but stubborn champion of an everyday life in which psyche may play a central role, but pathology is not necessarily a given.
The stories of a man in love with the world, but unable to take part in it
A kind of grown-up fairy tale. His style is both direct and colloquial yet also poetic in its simplicity.
Walser is an original. The book's centrepiece, "Kleist in Thun" is at once a deft literary portrait, a vivid piece of nature writing, and an autobiographical insight into Robert Walser's own mental fragility. All in all, it is as beautiful and moving a story as I have ever read.
Walser left a curiously brilliant and utterly original corpus of work, whose wry surrealism is reminiscent of Kafka, Beckett and indeed John Lennon ... a masterpiece
If he had hundred thousand readers, the world would be a better place
"Kleist in Thun" and "Helbling's Story" show him at his dazzling best
A truly wonderful, heartbreaking writer
An essential writer of our time
The future will see Walser as a true literary representative of our age
A major twentieth-century prose artist...he sounds like nobody else
A writer of considerable wit, talent and originality
His perception extended past sensory limits. He elevated the significance of the everyday
One of the greatest German-language writers of the twentieth century
Walser was one of those individuals who stand at a slight angle to the world: first impressions suggest words like quirky, or surreal. But, if anything, his art was a beautifully sane challenge to the systematic assault on the subjective and quotidian that was already grinding away when he entered the madhouse. In an age that found it possible to diagnose the inner life as a sticky mass of tics and neuroses, Walser became a polite but stubborn champion of an everyday life in which psyche may play a central role, but pathology is not necessarily a given.
The stories of a man in love with the world, but unable to take part in it
A kind of grown-up fairy tale. His style is both direct and colloquial yet also poetic in its simplicity.
Walser is an original. The book's centrepiece, "Kleist in Thun" is at once a deft literary portrait, a vivid piece of nature writing, and an autobiographical insight into Robert Walser's own mental fragility. All in all, it is as beautiful and moving a story as I have ever read.
Walser left a curiously brilliant and utterly original corpus of work, whose wry surrealism is reminiscent of Kafka, Beckett and indeed John Lennon ... a masterpiece