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The Picture of Dorian Gray: Collins Classroom Classics

Autor Oscar Wilde
Notă:  5.00 · 2 note 
en Limba Engleză Paperback – 16 iun 2021
This edition of The Picture of Dorian Gray provides depth and context for students, with the complete novel in an easy-to-read format, and a detailed introduction and bespoke glossary written by a teacher with academic expertise in the area. Explore the contemporary context, Oscar Wilde's writing, the novel's critical reception, and subsequent interpretations for a deeper reading of the text. Expand your further reading with a list of key articles and critical and theoretical texts. Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary.
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Specificații

ISBN-13: 9780008465414
ISBN-10: 000846541X
Pagini: 272
Dimensiuni: 108 x 175 x 22 mm
Greutate: 0.16 kg
Editura: HarperCollins Publishers
Seria Collins Classroom Classics


Descriere

Exam board: EdexcelLevel & Subject: AS and A Level English LiteratureFirst teaching: September 2015First examination: June 2017

Notă biografică

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for "gross indecency", imprisonment, and early death at age 46. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Trinity College Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray(1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men

Textul de pe ultima copertă

Spellbound before his own portrait, Dorian Gray utters a fateful wish. In exchange for eternal youth he gives his soul, to be corrupted by the malign influence of his mentor, the aesthete and hedonist Lord Henry Wotton. The novel was met with moral outrage by contemporary critics who, dazzled perhaps by Wilde's brilliant style, may have confused the author with his creation, Lord Henry, to whom even Dorian protests, 'You cut life to pieces with your epigrams.'. Encouraged by Lord Henry to substitute pleasure for goodness and art for reality, Dorian tries to watch impassively as he brings misery and death to those who love him. But the picture is watching him, and, made hideous by the marks of sin, it confronts Dorian with the reflection of his fall from grace, the silent bearer of what is in effect a devastating moral judgement.

Recenzii

Reading and rereading Wilde throughout the years, I noticed something that his panegyrists had not, it seems, suspected: namely the verifiable, elementary fact that Wilde was virtually always right.
Wilde stood for art. He stood for nothing less all his life... He is still enormously underestimated as an artist and thinker... Wilde was a great writer and a great man.
Every line that Wilde ever wrote affected me so enormously.
I think The Picture of Dorian Gray stands as high as it ever has.
A heady late-Victorian tale of double-living, in which Dorian's fatal, corruptive influence over women and men alike is left suggestively indistinct.

Cuprins

The Picture of Dorian GrayAcknowledgements
Introduction
Chronology
Further Reading
A Note on the Text

The Picture of Dorian Gray

Appendix 1: Selected Contemporary Reviews of The Picture of Dorian Gray

Appendix 2: Introduction to the First Penguin Classics Edition, by Peter Ackroyd

Notes