The Quest for the Melodic Electric Bass: From Jamerson to Spenner: Ashgate Popular and Folk Music Series
Autor Per Elias Drabløsen Limba Engleză Hardback – 28 sep 2015
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 381.83 lei 6-8 săpt. | |
Taylor & Francis – 12 dec 2019 | 381.83 lei 6-8 săpt. | |
Hardback (1) | 986.10 lei 6-8 săpt. | |
Taylor & Francis – 28 sep 2015 | 986.10 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781472434821
ISBN-10: 147243482X
Pagini: 252
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.63 kg
Ediția:Revised
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
ISBN-10: 147243482X
Pagini: 252
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.63 kg
Ediția:Revised
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
Cuprins
Part 1 Setting the Pace: Getting to the base of things. On popular music. The work. Part 2 The Melodic Electric Bass: Establishing Style as Performance: The bass in popular music. Style and genre. Details, features, and idiosyncrasies. Part 3 Toward a Performance Aesthetic: Studio bass vs. band bass. Artists, performance style, and aesthetics. On the decline? Wrapping up.
Notă biografică
Per Elias Drablos is an Associate Professor at the University of Agder, Norway, teaching electric bass as a principal instrument. He is also a regular member of the music group Secret Garden, with 5 million CDs sold worldwide.
Recenzii
"The depth to which Drabløs had delved in order to track down details of recordings, the pleasing fluency of his writing, and the consistency and excellent of his transcriptions and their analysis will make the book worth returning to." - Allan F. Moore, The World of Music (New Series)
Descriere
The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, this book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982. Through interviews with players, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass.