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The Rainbow: The Cambridge Edition of the Works of D. H. Lawrence

Autor D. H. Lawrence Editat de Mark Kinkead-Weekes
en Limba Engleză Paperback – 18 dec 2002
D. H. Lawrence expected The Rainbow to have 'a bit of a fight' before it was accepted, but 'The fight will have to be made, that is all'. It was suppressed, just over a month after publication, in November 1915. The American publisher would make thirteen further cuts and 'dribble out' the book quietly. In 1930 the British government would again consider suppressing a new printing of The Rainbow. Professor Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in full in the textual apparatus so the reader can follow the novel's development and evaluate what outside interference may have done to it. Also included are explanatory notes to historical references and allusions, and an interior chronology of the book itself.
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Specificații

ISBN-13: 9781107561489
ISBN-10: 1107561485
Pagini: 750
Dimensiuni: 140 x 216 x 42 mm
Greutate: 0.93 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Seria The Cambridge Edition of the Works of D. H. Lawrence

Locul publicării:New York, United States

Cuprins

General editor's preface; Acknowledgements; Chronology; Cue titles; Introduction; The Rainbow; Appendix 1. Fragment of 'The Sisters'; Appendix 2. Fragment of 'The Sisters II'; Appendix 3. Report and letter on 'The Wedding Ring'; Appendix 4. Chronology of The Rainbow; Explanatory notes; Textual apparatus; A note on pounds, shillings and pence.

Descriere

This 1989 edition of D. H. Lawrence's The Rainbow gives the composition history and collates the surviving states of the text.

Notă biografică

David Herbert Richards "D. H." Lawrence (11 September 1885 - 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Lawrence is perhaps best known for his novels Sons and Lovers, The Rainbow, Women in Love and Lady Chatterley's Lover. Within these Lawrence explores the possibilities for life within an industrial setting. In particular Lawrence is concerned with the nature of relationships that can be had within such a setting. Though often classed as a realist, Lawrence in fact uses his characters to give form to his personal philosophy. His depiction of sexual activity, though seen as shocking when he first published in the early 20th century, has its roots in this highly personal way of thinking and being. It is worth noting that Lawrence was very interested in the sense of touch and that his focus on physical intimacy has its roots in a desire to restore an emphasis on the body, and re-balance it with what he perceived to be Western civilisation's over-emphasis on the mind.

Recenzii

"Lawrence is the most Dostoevskian of English novelists, in whose best work conflicting ideological positions are brought into play and set up against each other in dialogue that is never simply or finally resolved" -- David Lodge "No writer since Lawrence has been so openly governed by what seems like powerful personal likes and dislikes, grievances, and by what appear to many as untenable prejudices" -- Amit Chauduri "What astonished me reading it this time round is the iconoclastic modernity of the novel... the sense of daring experiment. I had entirely forgotten what drastic steps Lawrence was taking with character, for instance. Or with narrative (the novel proceeds cyclically). When this is combined with sexual overtness and a revolutionary call for the individual to achieve "Me-ness" in opposition to the nation, industry and war, we have a book that, appearing as it did in 1915, seemed genuinely disturbing" -- Adam Thorpe Guardian