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The Revenger's Tragedy: The State of Play: Arden Shakespeare The State of Play

Editat de Gretchen E. Minton
en Limba Engleză Hardback – 15 noi 2017
The Revenger's Tragedy(1606), now widely attributed to Thomas Middleton, is a play that provides a dark, satirical response to other revenge tragedies such asHamlet. With its over-the-top and highly theatrical approach to revenge,The Revenger's Tragedyhas emerged as one of the most compelling examples of a drama by one of Shakespeare's contemporaries. This collection of ten newly-commissioned essays situates the play with respect to other Middleton and Shakespeare works as well as repertory, showcasing recent research about the play's engagement with issues such as religion, genre, race, language and performance.
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Specificații

ISBN-13: 9781474280372
ISBN-10: 1474280374
Pagini: 296
Dimensiuni: 129 x 198 x 22 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Seria Arden Shakespeare The State of Play

Locul publicării:London, United Kingdom

Caracteristici

The Revenger's Tragedyis a staple of undergraduate literature and early modern drama courses, often studied in conjunction withHamlet.

Notă biografică

Gretchen Mintonis Professor of English at Montana State University, USA

Cuprins

Introduction; 1. Vindice and Vice - The Revenger's Tragedy as Morality Play;2. Playing with Hell: The Revenger's Tragedy and the Infernal;3. Calvinism and the Problematic of Character in The Revenger's Tragedy;4. Satirical Ethics and Efficacy in The Revenger's Tragedy;5. Chaste Whiteness and National Identity in The Revenger's Tragedy;6. 'Cause I love swearing': Genre, Language and Performance in The Revenger's Tragedy;7. 'The Dramaturgy ofThe Revenger's Tragedy; 8. The 1607 Quarto and Stage Directions;9. Objects and Gender: The Revenger's Tragedy in Performance and on Film;10. 'Deny advancement, treasure, the duke's son?': The De-Commoditized Female in Twenty-First-Century Revenger's Tragedy Performance;Afterword;Notes;Index

Recenzii

Provides a rigorous orientation to a single work. Entries in this series offer a snapshot of a play within current critical discourse, and the ten essays in this case are well chosen for this task.