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The Routledge Companion to Decolonizing Art History: Routledge Art History and Visual Studies Companions

Editat de Tatiana Flores, Florencia San Martín, Charlene Villaseñor Black
en Limba Engleză Hardback – 27 noi 2023
This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners.
Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving.
The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies.
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Specificații

ISBN-13: 9780367714819
ISBN-10: 0367714817
Pagini: 626
Ilustrații: 97 Halftones, black and white; 97 Illustrations, black and white
Dimensiuni: 174 x 246 mm
Greutate: 1.8 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Art History and Visual Studies Companions

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Notă biografică

Tatiana Flores is Jefferson Scholars Foundation Edgar F. Shannon Professor of Art History at the University of Virginia.
Florencia San Martín is an assistant professor of Art History in the Department of Art, Architecture and Design at Lehigh University.
Charlene Villaseñor Black is chair of the César E. Chávez Department of Chicana/o and Central American Studies and professor of Art History at the University of California, Los Angeles, editor of Aztlán: A Journal of Chicano Studies, and founding editor-in-chief of Latin American and Latinx Visual Culture.

Cuprins

SECTION I: INTRODUCTION  SECTION II: BEING AND DOING  1. Writing Art History in the Age of Black Lives Matter  2. Being an Indigenous Art Historian in the 21st Century: How can Māori Adornment Reveal New Ways of Thinking about Art, its Histories, and Futures  3. Reinvention at the Wheel: Shaping New Histories in the Decolonization of Disability  4.The Power of Absence: An Interview with Ken Gonzales-Day  5.Art in Paradise Found and Lost  6.The Maquette -Modèles of Bodys Isek Kingelez: Envisioning Decolonial Monuments  7. Decolonizing La Revolución: Cuban Artistic Practice in a Liminal Space  8. Museums are Temples of Whiteness  9. Stepping out of the Shadow of Imperial Monochrony: A Place-centric Approach to Decolonizing Japanese Art History  10. On Failure and the Nation State: A Decolonial Reading of Alfredo Jaar’s A Logo for America  11. Light as a Feather: The Anti-capitalist Radiance of Decolonial Art History  SECTION III: LEARNING AND LISTENING  12. Where’s Decolonization? The Ohketeau Cultural Center, Indigenous Sovereignty, and Arts Institutions  13. Overcoming Art History’s Meta-Narrative  14. Pathways to Art History: Pedagogy, Research, and Praxis through a Decolonial Lens  15. Pedagogies of Place: Listening and Learning in the Margins  16. The Unbearable Lightness of Adjuncting Art History  17. Decolonial Cinematic Flows: Histories, Movements, Confluences  18. Re-Indigenizing Ancient Mexican Glyphic Codices  19. (Not) Performing Pasifika Indigeneity: Destabilizing the Researcher as Decolonizing Method in Art History  20. Afterlives/Futurelives: Imagining Mermaids and recalling Ghost Dancing  21. Decolonizing California Mission Art and Architecture Studies  22.Radical Pedagogy:  Environmental Performances and the Politics of Hope  SECTION IV: SENSING AND SEEING  23. Spooky Art History (or, Whatever Happened to the Postcolonial?)  24. Spatial Abstraction as a Colonizing Tool  25. Dishumanizing Art History?   26.The Digital Voice as Postcolonial Proxy  27. Reflecting on Whiteness in Recent Contemporary Artwork Exploring Transnational Poland  28. Racialization, Creolization, and Minor Transnationalism: Black and Indigenous Exchange in Spanish Colonial Visual Culture  29. The Imperial Landscape of 18th-Century Anglo-Indian Portraiture  30.  Unseeing Art History: Inca Material Culture  31. Debility and the Ethics of Proximity: Spatial and Temporal Immediacy in the Work of Candice Lin  32. Decolonizing Crocodiles, Repatriating Birds:Human-Animal Relations in the Historical Indian Landscape  33. “We are so many bodies, my friends”: Countervisibility as Resurgent Tactics  SECTION V: LIVING AND LOVING   34“she carried with her…a large bundle of wearing apparel belonging to herself”: Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements  3 5. Rina Banerjee’s Decolonial Ecologies  36.The Teaching is in the Making: A Relational and Embodied Experience of Anishinaabe Photographs  37. Reflections on a Latinx Decolonial Praxis for Medievalists  38. The Waters Surrounding Wallmapu, the Waters Surrounding Life  39. Dialogical Episodes for Decolonizing (Art) History  40. Inner Spaces: The Depth Imagination  41. Maria Auxiliadora da Silva: Nossa Mãe Maria of Terreiro Life and Faith on Black Grounds  42. Michael Richards: Performance as Ritual and Black-Indigenous Haptic Visuality  43. Bittersweet Histories and Tarnished Gold: Slavery’s Sounds, Sights and Silences in the Legacy of Dutch Brazil 44. A Personal Take, or Stuck in the Middle/Side and Going Nowhere: An Attempt at Imagining a Methodology for Engaging Colonial Photographic Archives, Histories, and Subjectivities  SECTION VI: AFTERWORD  45. Towards a Combative Decolonial Aesthetics

Descriere

This companion is the first global, comprehensive text to explicate, theorize and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners.